Gabriel Hernandez: A Lens on Elegance

Gabriel Hernandez: A Lens on Elegance

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IN THE VIBRANT world of fashion photography, meet Gabriel Hernandez, a self-taught visionary hailing from Caracas, Venezuela. Our lens focuses on his captivating journey, transcending borders to find artistic resonance in the United States since the winter of 2010.Discover the roots of Gabriel's photographic passion, blossoming in the corridors of high school during his junior year. A serendipitous encounter with a city luminary ignited a spark, propelling him to acquire a camera within a week – the genesis of an extraordinary odyssey.For the past eight years, Gabriel has sculpted his narrative in the realm of freelance fashion photography. Join us as we unveil the tapestry of his experiences, where every click captures not just fashion but the essence of a life lived behind the lens. Along this illustrious journey, Gabriel has woven connections with some of the industry's most talented, creative, powerful, and charismatic personalities. Step into his world where talent meets the shutter's click, and creativity finds its canvas in the vibrant tapestry of fashion.

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Scorching Passion: Unveiling Bairi's Fire Siren

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Finding Soul in Alternative R&B: Exploring FARR's "In Need Of A Friend"

Chris Patrick's THE CALM: A Reflective Journey Back to Roots

Finding His Groove: Exploring the Distinctive Sound of UK Rapper oogie in Phew

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Mantha: A Rising Star in the UK R&B Scene

The ordinary becomes timeless on the intimate ari rivera ep 2

Shah Infinite Unveils REVELATION - A Journey of Dedication

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JIREH Reigns Supreme with “ONTHEGUYS” Debut

Galaxy Francis Drops "i HATE 2 DO iT" ft. Kenny Bureaux: Prelude to "Metal Gear Francis"

Ness Julius Sets Hearts Aflutter with "Girls Love Kehlani"

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Home Soon: The Radiant Indie-Pop Journey of Cassia

Al Zamora: Philly’s Genre-Bending Artisan Releases Debut EP “Unfortunately, I”

A Revelation in Sound: Johan's "I Guess We'll Find Out"

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Ru AREYOU's "FDP (Fck Da Past)": An Anthem of Resilience and Renewal

SHANN returns with an alluring new single "Daydreaming Again"

ARZLEE's LOVE, ARZLEE EP: A Timeless Tribute to R&B

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Shaé Universe Crafts Love's Symphony With Latest Release "What's Luv?"

Taylor Belle Illuminates the R&B Scene with New Single "Love Letters to Myself"

HENNESSY's Raw and Introspective Journey Unveiled in "maybe i’m oversharing" EP

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Nate Curry Returns: A Moody Journey Through "Crash Out"

Obai shines on debut EP, svnteen

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Seth Sutch Shines with Soulful Verses and Authentic Storytelling in "flawless victory"

Nico Tripodi's Reflective Debut EP "Please Give Your Body a Break"

Oscar Smith on being “human”

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Unveiling Saint Hades: The Journey Through "Good Days Are Candy"

Asha Imuno's West Coast Sonic Odyssey: "PHONICS" Sets the Tone for Debut Album PINS & NEEDLES

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Parisian Songstress Ethel Unviels Captivating New Single "Passing Ships"

Reggie Becton Unleashes a Riveting Ode to Love and Heartbreak in "Bad M'FKR"

Taylor Hall's Soulful Journey Unveiled in "Awkward In Betweens": A Resonant Offering of Evolution

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Daniel's Sonic Evolution: From "Delicado" to "DELICIOSO" - A Bold Departure into Darker Tones

In the Ever-Evolving Realm of Pop, Bentley Robles Emerges With "JUST OK"

Magana's Multicultural Melody: A Journey of Love and Loss in "Let's Get Away"

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Darkua Emerges as the R&B Poster Girl in Accra with Sultry Single "Say My Name"

Multi-dimensional Melan Capped Off the Fall With Her Latest Single "Lucky Girl Syndrome"

Korin Releases Enticing and Tasteful New Record "Numb"

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ROMderful’s Wonderland of a Masterpiece, Ice Cream Clones 2

Malik English Reveals the Enchanting Allure of "Haunted"

Vibrant Harmonies Captured by Aisa's Latest Offering, "Company"

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Siaira Shawn's Ethereal Journey Through Love and Sound

BASI VIBE’s Autumn Ode, “Mad w me”: A silk-laced record for the soul

Arianna Reid Unveils Enchanting Debut EP “Love Heals All”

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FELIX! Reveals Genre-Bending EP "PLEASE DON’T STEAL MY CLOTHES" and Captivating "PARIS FASHION WEEK" Video

Gold Haze Reveals Poetic Overture With “YOUR PAIN IS MINE”

Kiran The Nomad Piques Listeners Ears with New Sound

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Eric Ryan's Love Sonata "So Bad"

Amal Zenab Releases Captivating New Single “Ride”

Radamiz Showcases The Versatility of Sonics With EP “3 Days Outside Your Body”

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Sacramento’s Nate Curry Reintroduces Himself With Latest Project “Tight Knit”

Chicago’s Very Own Kayo Releases Alluring New Single “Free of Charge”

Erykah Officer’s New Single, GLS, sets the stage for her Debut EP “Ery’s Diary”

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Three Months with Hadji Gaviota’s wallflower Album

Scorching Passion: Unveiling Bairi's Fire Siren

By Brian Harrington / April 21st, 2024

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Bairi, the ‘sagittariust sagittarius,’ lets her fire sign burn throughout her new album Fire Siren. Hot and feisty from the onset, she starts the project declaring, “you gone drown up in this sea and you’ll love it, or you can get the fuck up out my way,” on the intro track drown.Though she’s at a present point where she can talk her shit, cocky and confidently, R&B wouldn’t really be R&B without a little hurt behind it. Bairi approaches this whole project with the maturity of someone who has experienced tribulations, and is here on the other side to share everything she’s learned. It’s in that sense the album feels a bit like ‘girl talk’ that could pair well with some wine as you listen to Bairi weave tales of an ex getting their due after she “spent an extra hour in the mirror on my flower” or about that one time with the one guy who wanted more than she did, “you tell me stay with you to see the sun, but I only want your dirty luv.” It’s the cold transparency in the lyrics, along with the sultry yet groovy R&B production, that puts her in the lane of contemporaries like Jhené Aiko and Kehlani.This independent debut album captures Bairi at her most honest and most complete, as she pairs those vulnerable R&B bangers like “Come My Way” and “Karma (Medicine)” with more cinematic arrangements. The ballad “Man Enough” could have been pulled from a movie soundtrack, there’s a piano-backed spoken word epilogue, and an outro that puts an extended orchestral twist on her 2021 bilingual bop “Paraíso.” At the heart of this eclectic mix of sounds, common themes rise to the surface. As she reflects on life and love alike, it becomes apparent that Bairi feels her feelings very passionately. Both herself, and the people around her, can either drown in that passion, or stop fighting it, letting go completely in order to float and flow with it all. As Bairi lets it all go on her album, Fire Siren becomes a rosetta stone in translating that scorching passion to a beautiful musical language.

Finding Soul in Alternative R&B: Exploring FARR's "In Need Of A Friend"

By Patu Ong / April 10th, 2024

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Alternative R&B is all the rage these days. Artists experiment with singing a little bit? It’s alternative R&B. You’re singing but it doesn’t yearn enough to be played in a grocery store? It’s alternative R&B. You don’t enunciate your last syllable? It’s alternative R&B. Rising duo FARR does all that and yearns a little bit more in their single “In Need Of A Friend” and accompanying music video, both out now.“In Need Of A Friend” is the second single from their Blink Twice if You’re Okay EP set to release in May. The smooth bassline, supplied by London-based producer/multi-instrumentalist Linden Jay, rolls out the red carpet for LA-based vocalist/multi-instrumentalist Roméo’s velvety vocals. The logical layers pour in, creating an atmospheric backdrop perfect for a sunset drive while the lyrics condense the age-old story of someone coming into your life and shaking up your whole world. The bridge allows everything to breathe before some tasteful whistling comes into play. Whether it’s a summer fling or a marriage outlasting every solstice, it’s pretty cool to have a song in the back pocket where the whistling doesn’t become annoying.FARR ramps up the anticipation for their upcoming project after the release of their first single “Doom Gloom,” which is admittedly more alternative R&B than the slightly more indie-pop leaning “In Need Of A Friend.” It shows the versatility and range of the group, showcasing their ability to switch up sounds on a whim. With an already impressive portfolio of working with artists like Doja Cat, Joji, Joey Bada$$, Chlöe, Erick the Architect, and J. Cole, it’ll be interesting what this duo comes with next.

Chris Patrick's THE CALM: A Reflective Journey Back to Roots

By Tenzin / April 7th, 2024

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Hailing from East Orange, New Jersey, Chris Patrick is making waves in the music scene with his diverse musical prowess. Following the success of his previous releases, including the critically acclaimed sophomore album X Files, which amassed over 11 million streams, Patrick gears up for the launch of his highly anticipated mixtape, THE CALM. Building anticipation, he recently dropped singles like "TAKE TIME FOR MYSELF" and "SLIDE ON ME," accumulating over 575K streams and earning praise from industry giants like Billboard, UPROXX, and HipHopDx.Reflecting on his tumultuous experiences of 2023, the mixtape delves into themes of resilience, loss, and self-discovery. Featuring his sole collaboration with Atlanta-based lyricist Ben Reilly, the mixtape showcases Patrick's evolution as an artist while staying true to his authentic self.Blending seamless storytelling with infectious hooks, Patrick effortlessly maneuvers between singing and rapping, drawing inspiration from his life experiences. He shares, THE CALM is as raw as it gets for me. It covers the first half of a very insane 2023 which ultimately ended with me reflecting on who I truly was as a person."With nods from esteemed artists like T-Pain, JID, Smino, and Isaiah Rashad, Patrick's trajectory is set to soar even higher. THE CALM promises to leave a lasting impact on listeners, cementing Patrick's status as a rising star in the rap scene.

Finding His Groove: Exploring the Distinctive Sound of UK Rapper oogie in Phew

By Brian Harrington / March 6th, 2024

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Every artist faces the challenge of separating themselves from the noise, aka the endless mass of new releases dumped onto streaming services daily. The key to standing out as a unique voice in rap is sometimes literally having a unique voice. Such is the case for independent UK rapper oogie, whose distinctive drawl returns for his second project, Phew.oogie raps with a subtle cockiness throughout Phew, flowing in a laid-back, almost soft-spoken tone paired with a confident and assertive delivery. Words slur together when they exit his mouth as if they’re already coated in sauce. The vocal quirks can make the vocals occasionally difficult to decipher but the execution naturally pairs with the warm-toned indie hip-hop production. His voice blends into the beat itself, emulating a Smino from South London instead of St. Louis.Phew is a follow-up to his 2021 debut, Somehow It Makes Sense, with both projects displaying consistency in music and visuals. Phew builds on the debut’s foundations, branching his sounds into soulful R&B, hard 808s, and even tapping into the UK drum and bass renaissance with the track “Bake.” The sounds culminate in an intriguing sophomore project, pioneering an original sound that counters all the noise.

Mantha: A Rising Star in the UK R&B Scene

By Tenzin / April 5th, 2024

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London-based artist Mantha emerges as a captivating force in the realm of emerging talent, captivating audiences with her latest single, "Do This One Favour." With a distinctive blend of alternate R&B and neo-soul, she is poised to make a lasting impression on the UK music scene in 2024.This mesmerizing track, serving as Mantha's inaugural release of the year, intricately weaves a spellbinding love story through sultry saxophone melodies and enchanting vocals. From the first note, Mantha's soulful voice effortlessly carries the emotional depth of the lyrics, ensuring that "Do This One Favour" becomes an instant classic destined to resonate with fans.Influenced by neo-soul icons like D’Angelo, Jill Scott, and Lauryn Hill, Mantha brings a refreshing authenticity to her music. Reflecting on the inspiration behind the track, she shares, "This song is a tribute to the neo-soul greats who have inspired me throughout my journey. It's an exploration of love, passion, and the timeless allure of soulful melodies."Mantha's unique sound and heartfelt lyrics position her as a significant player in the UK R&B landscape. As an emerging artist with a soulful edge, she promises to captivate the hearts of music enthusiasts seeking a fresh and authentic experience. "Do This One Favour" serves as a powerful showcase of Mantha's artistry, setting the stage for an exciting chapter in her burgeoning career.

The ordinary becomes timeless on the intimate ari rivera ep 2

By Brian Harrington / April 3rd, 2024

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The everyday sparks creativity for Los Angeles DIY singer Ari Rivera on his new EP ari rivera ep 2. With his latest collection, Rivera hones in and captures the smallest moments, which becomes clearer by skimming through the tracklist. He interprets mundane activities like grass cutting, seeing a movie, late lunches, therapy sessions, and eating at a lowkey LA diner but manages to push deeper, uncovering the full spectrum of small moments–both good and bad–as he meditates with ugly thoughts and uncontrollable urges.“Now I’m covered in guilt/ From the fact we don’t speak/ And I’m thinking about calling/ Would you do that for me?” he sings on the single “Horny Dog.”ari rivera ep 2 makes these minute points in time feel so infinite. The project begins by simply noting the smell of fresh-cut grass in the air and ends by ruminating on growth, decay, and the passage of time before a vast wall of sound engulfs the listener.As the lyrics develop smaller moments into something larger, the production takes a similar approach. Many tracks will begin tight and sparse, with Rivera singing hushed vocals over acoustic guitar and scattered elements of electronic sounds. The songs then progress naturally towards grand climaxes, lush with electric guitar, full drums, vocal harmonies, and thick bass–the works.The escalation reflects the lyrics in how plain experiences can often represent something larger when pulled apart and dissected. Attending a late-night screening with someone on “going to the movies” ends with a deeper understanding of their relationship as Rivera sings, “I want you to feel safe when you’re next to me.”The project is Rivera’s second EP, not including 5664 Fair Ave, a 2022 collection of songs he curated to share demos alongside digital art pieces. While he primarily released those demos for the digital ethers, this project feels like its counter. Little moments, habits, and rituals are essential against an increasingly digital culture stuffed with email bombardments and online information overloads. I’m reminded of a recent New York Times profile on people’s small non-negotiable habits ranging from daily handstands to counting every yellow door they pass throughout the day, discussing how these rituals have made them feel more connected to themselves or the people they do them with.Ritual becomes most prevalent on the standout track, “house of pies,” made with Billy Lemos. The tender track explores a late-night first date that was part of a Rivera weekly tradition: he takes a different friend to the diner every week as an extended effort to work his way through every flavor of pie on the menu (to which he gives special nods to Bavarian chocolate and coconut cream). This specific night is universal to the acts of listening to, learning about, and caring for someone.In ep 2, Ari Rivera’s songwriting feels like a crucial display of resistance to immortalize the ordinary, truly stopping to explore our habits and feelings even when they aren’t that uncommon. To unpack these experiences is a powerful punch in the fight against a culture created to isolate. Rivera has crafted a profoundly human experience that allows listeners to find themselves in the way he relates to the world around him.

Shah Infinite Unveils REVELATION - A Journey of Dedication

By Tenzin / April 3rd, 2024

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DC-born, LA-based artist Shah Infinite continues his meteoric rise in the music scene with his latest release REVELATION. Following his acclaimed 14-track project "Now & Later," Shah's artistry shines brighter than ever as he unveils a trio of tracks. Seamlessly blending introspective lyrics, captivating melodies, and experimental flair, Shah's music offers a profound musical journey for all listeners.Fresh off the multi-city HOM3 Tour alongside Reggie Becton and Jordan Hawkins, where he previewed upcoming tracks, Shah recently graced the stage at DC's Union Stage as a supporting act for LB199X's headline show. Now, with the imminent release of this project, Shah Infinite not only solidifies his unique artistic style but also reaffirms his unwavering commitment to his craft.Drawing from the depths of his own experiences, Shah's creative process is an unapologetic reflection of his journey. "It took a relentless drive, introspective dives, and self-preservation vibes to realize that my creations are propelling me towards self-actualization," Shah declares. These three tracks transcend mere moments, representing the pinnacle of his artistry.Each meticulously crafted lyric and carefully composed melody showcases Shah's dedication to pushing the boundaries of hip-hop. As he prepares to share his latest musical offering with the world, Shah Infinite emerges as a formidable force in the industry, poised to leave an indelible mark on the genre.

JIREH Reigns Supreme with “ONTHEGUYS” Debut

By Tenzin / April 2nd, 2024

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From Baton Rouge emerges the enigmatic JIREH, hailed as the crown prince of the city's underground scene. In a dazzling display of artistry, JIREH returns with the release of "ONTHEGUYS." This hypnotic track, crafted by the dynamic duo Gutty and Andres Ian, is not just a song but an experience, further elevated by a visually stunning music video and trailer masterfully directed by the visionary Carlos Sanchez.JIREH transcends the confines of traditional artistry; he emerges as a captivating performer and virtuoso, boldly charting his own course in the industry. Since his groundbreaking LP "A Guide To Recognizing Your Saints" debuted in 2022, JIREH has been relentless in pushing boundaries, consistently evolving his sound, creativity, and delivery with each subsequent release.Melding his Southern heritage with unmatched lyricism, JIREH's artistry is both daring and distinct. From nostalgic childhood anecdotes to introspective reflections on the present, his music strikes a delicate balance between contemplation and laid-back charm, resonating with audiences of diverse backgrounds.As his star continues to ascend, JIREH reaffirms his status as a luminary in the ever-evolving tapestry of music, leaving an indelible mark on the industry with each new release. "ONTHEGUYS" serves as just the beginning of what promises to be an exhilarating journey into the depths of JIREH's sonic universe, a journey that fans eagerly anticipate with bated breath.

Galaxy Francis Drops "i HATE 2 DO iT" ft. Kenny Bureaux: Prelude to "Metal Gear Francis"

By Tenzin / March 29th, 2024

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Renowned for his innovative fusion of rap's sharp lyricism with the emotive delivery of R&B, Galaxy Francis once again demonstrates his unparalleled versatility and boundless creativity with "i HATE 2 DO iT." This latest single marks yet another milestone in his illustrious career, showcasing his ability to effortlessly blend genres and push the boundaries of musical expression.Hailing from the vibrant music scene of Chicago, Galaxy Francis has become known as a boundary-pushing "Rap&B" maestro, constantly exploring new sonic territories and challenging conventional norms. With "i HATE 2 DO iT," featuring the exceptional talents of Kenny Bureaux, Galaxy continues to captivate listeners with his signature style, infusing the track with a pulsating energy and lyrical finesse that is unmistakably his own.But "i HATE 2 DO iT" is more than just a standalone single—it serves as a tantalizing preview of what's to come from Galaxy Francis's highly anticipated project, Metal Gear Francis. Set to debut on April 17th, this upcoming release promises to be a tour de force of musical innovation and visual storytelling, offering audiences a glimpse into the mind of a visionary artist at the peak of his creative powers.Galaxy Francis's recent series of releases has been characterized by remarkable collaborations and standout tracks, including the infectious "KUWAiT" featuring Valee and the introspective "BURNiNG CANDLES" featuring MfnMelo. These collaborations not only showcase Galaxy's ability to seamlessly collaborate with other artists but also highlight his growing influence within the music industry.As anticipation continues to mount for the release of Metal Gear Francis, fans eagerly await the next chapter in Galaxy Francis's artistic journey. With each weekly release leading up to the unveiling of the project, excitement builds, promising an immersive and groundbreaking experience that will leave an indelible mark on the world of music. In a landscape where innovation is paramount, Galaxy Francis stands as a beacon of creativity, pushing the boundaries of what's possible and redefining the art form for generations to come.

Ness Julius Sets Hearts Aflutter with "Girls Love Kehlani"

By Tenzin / March 27th, 2024

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Following the release of "Good Nights," Ness Julius maintains his momentum with his new track "Girls Love Kehlani.” Delving deep into the realms of love and obsession, Ness draws parallels between adoration and unhealthy attachment, using the global R&B icon Kehlani as a poignant example of society's idolization.The track offers two distinct editions; "GLK" boasts an upbeat and cheery vibe, while the "Broken Luv Edition" plunges into the darker emotions and moodier sounds associated with toxic love.Drawing inspiration from R&B luminaries such as Ty Dolla $ign, PARTYNEXTDOOR, and BLXST, the Bakersfield artist maintains his creative identity while exploring diverse genres. His upcoming album promises to blend elements of 90s R&B, West Coast R&B, and indie rock, offering a fresh and innovative take on contemporary music.With a resume that includes opening for TeeFLii, touring alongside Joe Maynor, and amassing over 1 million streams in 2023 alone, critics are already singing Ness Julius' praises, with Kiljoy Magazine hailing him as "one of the best that's doing it," and Nefarious Supply lauding his "magnetic presence, irresistible melodies, and sincere approach," setting him apart as one of the industry's most exciting artists.Ness Julius finds himself at a pivotal moment in his career—a moment poised to define his trajectory for years to come. Filled with promise, potential, and the boundless possibilities of what lies ahead, Ness is primed to make waves in the music industry.

Radiant Vibes from Unexpected Origins: Exploring Cassia's Home Soon EP

By Patu Ong / February 20th, 2024

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After listening to Cassia’s latest EP Home Soon…, it felt wrong to discover that the indie-pop trio hails from Macclesfield, a landlocked mid-sized town in northern England (about 20 miles south of Manchester). Cassia is in good company, as Macclesfield is the birthplace of select members of Joy Division, New Order, and The 1975. The UK rock scene is not one you’d particularly associate with the bright indie-pop found in the recent release. You’d sooner think a track like “Gamma Rays” was made at the Cassia restaurant in Santa Monica than by blokes more than 5,000 miles away. It raises the question: how did this band end up making music that sounds like this?The answer comes from keeping their eyes and ears open for influence far and wide. Lead singer Rob Thomas (not that one) found particular inspiration from his childhood growing up in Zambia, allowing African music like Fela Kuti & Ebo Taylor to provide as much impact on him as more noticeable influences like Bombay Bicycle Club or Vampire Weekend. The result is blissfully radiant pop music that seamlessly crosses cultures.The band has had a solid grasp on the formula of a feel-good indie bop since their 2019 debut album Replica and found no reason to reinvent that this time around. On the standout track “Circular Motion,” they team up with north London band Kawala to get lost in the euphoria of a newfound romance. “High Tones” pulls in some light surf rock influence as Thomas croons about that feeling someone gives you that makes your heart skip a beat. Even “whatstheuse,” with more melancholy lyrics about getting stuck in old habits and cycles, the production acts joyfully unaware and surrounds the vocals with light acoustic guitar chords and lush vocal harmonies.If it’s not summer where you are, you’ll want to bookmark this project for that first warm sunny day of the year. Despite the February release, Cassia may have the feel-good project of the summer on their hands.

Into the Dream: Merges' Latest Masterpiece, "Drift"

By Tenzin / April 3rd, 2024

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Merges returns with her latest offering, "drift," taking us on a journey through dreamy melodies and heartfelt storytelling. Collaborating with talents like L3GION (known for their work with Brent Faiyaz and Baby Rose) and Mars Today (Phabo and Destin Conrad), she crafts a unique blend of soulful tunes.Crafting a narrative of love left unfulfilled, set against a backdrop of soulful live instrumentation, Merges extends a compelling invitation for listeners to dive deep into her sonic universe, where the lines between reality and reverie dissolve amidst a captivating symphony of emotion and melody.To describe this song is to describe a piece of art. The sonic masterpiece that is Merges' evocative voice is beautifully blended with the innovative use of vocal effects. With seamless transitions in pitch and a whirlwind of reverbs and delays, she paints a vibrant, dreamy landscape that beckons listeners into a world of endless possibilities.Hailing from the heartlands of South Dakota, Merges' musical odyssey led her to the vibrant streets of Nashville at the tender age of 16. It was there that she honed her craft amidst the pulsating rhythm of the city's music scene, laying the foundation for her artistic journey. However, it was in Los Angeles where Merges truly found her voice, embraced by a community of like-minded creators. Since her resurgence in March 2023, Merges' music has captured the hearts of both industry tastemakers and fans alike, amassing over 4 million streams.With each composition, Merges deftly melds intricate melodies with poetic lyricism, creating a tapestry of sound that resonates deeply with audiences, leaving them yearning for more.Listen to "Drift" above! Out on all streaming platforms now.

Al Zamora: Philly’s Genre-Bending Artisan Releases Debut EP Unfortunately, I

By Jordan Sanders / March 29th, 2024

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Few artists can eloquently blend two genres, and even fewer can blend multiple genres. Costa Rican-born and Philly-based artist Al Zamora easily incorporates elements from R&B, soul, blues, country, rock, metal, and folk and ends up with a masterpiece. As a child, Al fought leukemia and found comfort in playing Guitar Hero, which sparked his journey into the self-taught musician and singer-songwriter we love today.My first time experiencing Al Zamora’s music was when he headlined the Greenlight Series at the always-lit Silks Dinner in Philadelphia. When he started singing, I witnessed a very talkative audience become captivated by his onstage aura and hang on to every word. Al has such a soothing yet soulful voice and evokes so much emotion in his vocals and music, which is a rare feat. I instantly got chills and a sense of euphoria, but I also felt the pain and love with each note. At the end of his performance, the crowd erupted with cheers. From that moment, I knew Philly had its next star in Al Zamora.Al Zamora is set to release his debut EP, Unfortunately, I. The stand-out track “Vertigo,” is described as “not your typical love song.” During Al’s private listening session for Unfortunately, I, “Vertigo” perfectly displays Al’s soulful and slightly raspy vocals through an infectious chorus (“Don't you worry I got more love for you / Spinning round and round like vertigo”) and high execution of its concept: comparing a toxic relationship to experiencing the mind-bending effects of vertigo. His unique lyrical stylings enhance his introspective lyrics and reveal some of his country music influences.Unfortunately, I premieres with “Around You,” quickly setting the tone for the EP with multiple layers of instrumentation and Al's rich vocals. It transitions into “One Rule” with its deep meaningful lyrics and chorus that resonates with anyone trying anything for love (“I do my best to understand it”). After “Vertigo,” the run continues with “How Do You Feel,” a brilliant interpolation of D’Angelo’s “Untitled (How Does It Feel),” featuring a stripped-down track, featuring only his vocals and guitar. His last single, “Ride,” appears on the project as an extended version, allowing him the runway to shred some guitar and show off some Philly Club bounce while still maintaining the original integrity of its first version. Unfortunately, I concludes with its title track, an emotional ballad featuring Al’s vocals and a piano taking the lead, a fitting conclusion that leaves a lingering impression.We find not just a musician, but also a storyteller and poet in Al Zamora. His melodies and songwriting resonate with the human experience. Each note and lyric echoes passion, truth, and unwavering sincerity, affirming his prominence as a musician and as an artistic force to be reckoned with. From the intimate confines of local venues to the festival stages, Al Zamora fits in anywhere and is undoubtedly on the rise. As we eagerly await the next chapter in his musical odyssey, one thing is abundantly clear: Al Zamora's legacy is destined to endure, leaving an indelible mark on the fabric of contemporary music.

A Revelation in Sound: Johan's "I Guess We'll Find Out"

By Tenzin Dekyi / March 28th, 2024

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Johan Lenox's sophomore offering, "I Guess We'll Find Out," serves as a portal to a world where foreboding orange skies have given way to an engulfing apocalyptic panorama. Within this auditory landscape, Johan and his cohorts find refuge in makeshift bunkers, their only connection to the unraveling outside world being antiquated television sets. Swathed in gas masks and hazmat suits, they navigate this desolate terrain, weaving tales of introspection and resilience against the backdrop of societal decay.NORBU had the pleasure of hearing the album early and we’re here to confidently say that Johan Lenox is an unparalleled musical trailblazer and visionary. Within the realm of music, where saturation is at an all-time high, the importance of carving out a distinct sonic identity cannot be overstated. In a landscape craving innovation, Johan Lenox's ability to marry traditional orchestral arrangements with modern sensibilities is nothing short of revolutionary. With each track, he deftly navigates the boundaries of genre, offering listeners a refreshing experience that truly feels like a much-needed breath of fresh air.Tenzin: What inspired the theme or concept behind your new album?Johan Lenox: On my first album, WDYWTBWYGU, I told the story of trying to come of age during the end of the world. All the art and videos had an ominous orange sky to represent impending disaster, like the one in photos of northern California from Summer 2020. The lyrics described the kind of mindless and self-destructive ways we try to make sense of the world or avoid it altogether. With this album I have zoomed out quite a bit. To me it feels like in many ways the apocalypse is already here and we are doing our best to live through it. So the visuals focus on that day-to-day reality, but the lyrics look back extensively to my childhood in Massachusetts, as well as forward to the distant future, wondering if we'll escape this planet first through space travel or through death. These days those are the things I think about.Originating from the serene confines of Massachusetts, Johan Lenox's musical metamorphosis is nothing short of mesmerizing. Initially ensconced within the realms of Broadway and classical compositions, his trajectory took an unforeseen turn following a revelatory encounter with the avant-garde soundscape of Kanye West, catalyzed by a transcendent experience under the influence of LSD."I Guess We'll Find Out" sees Johan delving deeper into uncharted territory, seamlessly melding the opulent symphonic tapestries of his past endeavors with the raw energy of Britpop and indie rock. The result is a sonic alchemy that both enchants and challenges, beckoning listeners into a world where boundaries dissolve and genres intertwine.Tenzin: How was the recording process? Did you use an orchestra for any of the tracks?Johan Lenox: I love full orchestra and have worked with that medium many times, especially in a live setting. For the strings on this album I wanted a more intimate sound and did most of it with one cellist and one violinist, stacked up like 10-20 times usually. You really hear the grit of the instrument more that way and I think there's something really special about that. The more instruments you add the more it smooths things out and the less immediate it sounds, so I kept it lean.Yet Johan's influence extends beyond the confines of his solo pursuits. Having graced stages alongside luminaries such as 070 Shake and Polyphia on both sides of the Atlantic, his imprint on the musical landscape is indelible. As a composer and producer, he has left an indelible mark on the works of icons like Kanye West, Travis Scott, Teyana Taylor, and Metro Boomin, garnering acclaim and accolades for his contributions to classical and theatrical compositions alike.Tenzin: How do you balance experimentation with maintaining your signature sound on this album?Johan Lenox: The biggest change on this album vs the last one was letting synths and especially guitars into the sound. My first album was all orchestra and drums, with no guitars or synths at all. I think having that limitation was good at the time, but allowing for more experimentation this time was something I needed, especially because one of the main inspirations for the sound of this album was 1990s rock and you really can't do that without guitars.Tenzin: What can the supporters expect from you in the near future?Johan Lenox: NYC show April 24th, LA show May 15th. I'm working on having a bunch of my friends who are artists do flipped versions of this album with me so watch out for that. And I may drop something in the fall. I never really stop haha"I Guess We'll Find Out" is not merely an album; it is an immersive journey through the corridors of Johan Lenox's boundless imagination. In a world teetering on the brink of chaos, his melodies serve as beacons of hope, guiding listeners through the darkness with unwavering purpose. With each chord and lyric, he invites us to embrace the uncertainty, to find solace in the midst of turmoil, and to discover the transformative power of music in the face of adversity. In an era dominated by homogeneity, Johan Lenox stands out as a beacon of creativity, inviting audiences to embark on a musical journey unlike any other."I Guess We'll Find Out" out on all streaming platforms Friday, March 29th. 2024.

Ru AREYOU's "FDP (Fck Da Past)": An Anthem of Resilience and Renewal

By Tenzin Dekyi / February 29, 2024

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In the pulsating heart of his upcoming project WHOLE TIME, Ru AREYOU unveils a sonic gem that encapsulates the essence of embracing life's endless experiences. "FDP (Fck Da Past)" isn't just a single; it's a poignant journey through the depths of trauma, the catharsis of acceptance, and the boundless potential of new beginnings.Hailing from the vibrant cultural tapestry of Sacramento, Ru AREYOU emerges as a polymath of artistic expression. Beyond the conventional realms of music, he seamlessly embodies roles as a producer, martial arts trickster, and dancer. His performances aren't just spectacles; they're visceral experiences that resonate long after the final note fades.At the core of Ru AREYOU's artistry lies the ethos of REALIZEYOU—a mantra that serves as a guiding light in his quest for self-discovery. His sound isn't static; it's a perpetual evolution, a reflection of the infinite possibilities that lie within the human spirit. Blurring the lines between genres, Ru effortlessly navigates the sonic landscape, weaving elements of hip hop, lofi, hyphy, trap, R&B, future soul, punk, electronic, and pop into a kaleidoscopic tapestry of sound.With "FDP (Fck Da Past)," Ru AREYOU invites listeners on a transformative odyssey—a journey of resilience, growth, and unbridled optimism. As the fifth single from his eagerly anticipated 2024 project, it serves as a tantalizing glimpse into the expansive sonic universe he's meticulously crafted.In a world where authenticity reigns supreme, Ru AREYOU stands as a beacon of unapologetic self-expression. With WHOLE TIME on the horizon, the stage is set for an electrifying chapter in his musical saga—a testament to the enduring power of artistic reinvention and the indomitable spirit of the human experience.

SHANN returns with an alluring new single "Daydreaming Again"

By Tenzin Dekyi / February 18, 2024

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The music world braces for the irresistible allure of SHANN, an empathic vocalist hailing from the heart of Virginia. With her sights set on a prominent 2024, she ignites the scene with a blaze of passion through her latest single, "Daydreaming Again." Crafted in collaboration with the maestro of melodies, sunsensei, this track is not just a song; it's a journey into euphoria.Tenzin: It’s been a year since your last release, how are you feeling about the release of “Daydreaming Again?”SHANN: CONFIDENT! Just so confident. In this past year I've gained a different type of confidence throughout this journey and it all comes from the work I've been doing. I’ve built an amazing team around me and we’ve been making moves without cutting corners. When you’re able to say that you’ve done the work, you’re also able to walk with a different type of assurance and this first release of the year is just a reflection of that.We had the opportunity to hear SHANN's new offering early and all I can say is we are here to confirm what we already knew, SHANN is in fact a superstar in the making. “Daydreaming Again” has an immediate pull; it’s the soft but immensely captivating beat layered with a beautiful synth. Shortly after, SHANN’s vocals come in like silk caressing the senses and glides effortlessly over a groove-induced melody. "Daydreaming Again" isn't just infectious; it's a contagion of rhythm and romance. With its pleasurable hook, "Feels like I'm in a cycle...," it's destined to be etched into the minds of listeners, lingering long after the music fades.But what sets SHANN apart isn't just her ability to craft a stellar record; it's her innate versatility. From sultry ballads that we might be more familiar with to irresistible dance tunes like "Without Trying," her sonic palette knows no bounds. Each track invites listeners into a world where love reigns supreme, leaving them yearning for more.Tenzin: What can you tell us about this era of SHANN?SHANN: This era of SHANN encapsulates an unforgettable essence. She is unapologetically herself and is not afraid to be loud. She is bold, charming, alluring, and she can make anyone’s heart stop with a wink and a smile. It took just a little longer to find her, but she is here and here to stay.Yet, SHANN is more than just a voice; she's a presence. Onstage, she exudes femininity and charisma, captivating audiences with each note and interaction. She's become a beacon for lovers, a testament to the enduring power of romance in a world tainted by toxicity. In a landscape cluttered with cynicism, her music serves as a reminder of the beauty of human connection. With each lyric, each melody, she spreads awareness, one soulful note at a time.In the tapestry of contemporary music, SHANN's name shines brightly and the star quality that she possesses is undeniable. So, take heed, for in the midst of this musical revolution, SHANN is a name to remember and a force to be reckoned with.Tenzin: What can the supporters look forward to?SHANN: The supporters can look forward to having a lot of fun. This year, I really wanted to make people not only feel good, but dance. Get ready for bigger visuals, bigger songs, and bigger projects throughout the year and also be prepared to get closer to me as well!“Daydreaming Again” out on all streaming platforms tomorrow, February 20, 2024.

Taylor Belle Illuminates the R&B Scene with New Single "Love Letters to Myself"

By Tenzin Dekyi / February 8, 2024

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From the bustling streets of New York to the sun-kissed shores of the West Coast, Taylor Belle's musical journey has been nothing short of remarkable. Rooted in the rich tradition of R&B, Taylor's story began at a young age, stepping into the recording studio and igniting a passion for music that would shape her future.Drawing from the golden era of 2000s R&B while injecting her own unique style, Taylor Belle defies genre boundaries, blending elements of R&B, hip-hop, jazz, and alternative influences. Each release from her repertoire invites listeners on a sonic adventure, merging introspective lyrics with irresistible melodies that strike a chord with audiences worldwide.Taylor's undeniable talent has earned accolades from industry titans like Timbaland, Rolling Stone, and Billboard. Her debut EP, 'Out of Body,' has captured hearts globally, securing prized spots on Spotify playlists and accumulating over 3 million streams across platforms. Not limited to solo endeavors, Taylor has also carved a niche as a sought-after songwriter and collaborator, lending her expertise to projects with esteemed artists such as TA Thomas, Ann Marie, and Tink.With the highly anticipated release of her latest single, “Love Letters to Myself,” Taylor Belle is poised to make an even greater impact on the music landscape. Delving into themes of self-love and personal growth, the track offers a soul-stirring exploration of past experiences and the journey toward self-acceptance. Backed by lush instrumentation and Taylor's captivating vocals, “Love Letters to Myself” promises to be a standout moment in her burgeoning career.As she continues to enchant audiences with her soulful melodies and heartfelt lyrics, Taylor Belle emerges as a formidable presence in the realm of R&B. With exciting collaborations and live performances on the horizon, her trajectory suggests she is destined to leave an indelible mark in the R&B space.

ARZLEE's LOVE, ARZLEE EP: A Timeless Tribute to R&B

By Tenzin Dekyi / February 9, 2024

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In a momentous occasion for rhythm and blues aficionados, ARZLEE, hailing from Fayetteville, NC, presents his highly anticipated 3-track EP, "LOVE, ARZLEE."The journey commences with "DARLING LOVER," a sultry composition setting the stage with its seductive rhythm and emotive lyrics, spotlighting ARZLEE's flawless vocal prowess. Seamlessly transitioning, "POTTERY" embarks on a flirtatious exploration, delving into the nuances of submission with a velvety smoothness that exudes both vulnerability and confidence.Bringing the EP to a captivating close is "ANY & EVERY," paying homage to the golden era of 90s R&B with its infectious chorus and euphoric atmosphere, leaving audiences entranced. More than just a collection of tracks, "LOVE, ARZLEE" serves as a jubilant celebration of love, musical artistry, and the timeless allure of R&B.
With this release, ARZLEE extends an invitation to listeners, guiding them on a sonic voyage that transcends generations. Effortlessly blending the soulful essence of classic R&B with contemporary flair, he solidifies his status as a rising star in the genre.
"LOVE, ARZLEE" is a testament to ARZLEE's unparalleled talent and reverence for R&B's golden eras. Each track - "DARLING LOVER," "POTTERY," and "ANY & EVERY" - offers a distinctive blend of smooth vocals, evocative lyrics, and lush production, evoking romantic landscapes of bygone eras.

Shaé Universe Crafts Love's Symphony With Latest Release "What's Luv?"

By Tenzin Dekyi / February 2, 2024

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Since her arrival onto the music scene in 2017, British-Nigerian vocalist Shaé Universe has been a beacon of inspiration, captivating audiences across the UK, West Africa, and beyond. With roots deeply embedded in spirituality and a lineage steeped in gospel, Shaé infuses her music with a potent blend of faith, sensuality, and raw emotion.Renowned for her ability to seamlessly transition between singing and rapping, Shaé has garnered praise from industry icons such as Lalah Hathaway, Jorja Smith, and Little Simz. Remaining fiercely independent, she navigates the music industry on her own terms, carving her own path with unwavering determination.Recently named a 2024 Pandora Artist to Watch and fresh off a mesmerizing debut performance on COLORS, Shaé Universe unveils her highly anticipated project, Love’s Letter, set to drop on Valentine’s Day, February 14th, via The Orchard. The announcement comes alongside the release of her latest single, "What’s Luv?"—a sun-kissed anthem adorned with breezy guitar licks and Shaé's celestial vocal prowess, serving as a poignant reminder of the importance of self-love.Speaking on the inspiration behind "What’s Luv?" Shaé shares, “‘What’s Luv?’ is for anyone who’s ever lost themselves in love. People who love hard and passionately can often forget that ultimately, no one can pour into them more than themselves. I wrote this song as a reminder of that."Covering themes of romantic love, self-love, and spirituality, Love’s Letter is a transformative journey designed to help listeners navigate their own emotional landscapes. With each track, Shaé Universe weaves a narrative that speaks to the depths of the human experience, leaving an indelible imprint on the hearts of all who listen.

HENNESSY's Raw and Introspective Journey Unveiled in "maybe i’m oversharing" EP

By Tenzin Dekyi / February 6, 2024

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HENNESSY's latest musical offering, the maybe i’m oversharing EP, serves as a poignant window into her personal odyssey, navigating the turbulent waters of anxiety, depression, and reliance on liquid courage.In the opening track, "Me Myself & I," HENNESSY fearlessly confronts the intricate web of her psyche. Through candid lyrics, she recounts the hesitations born from past wounds, grappling with the reluctance to trust again. Yet amidst the turmoil, she finds solace in the act of self-forgiveness, recognizing that the burden does not solely rest on her shoulders.Transitioning seamlessly into "Therapy Session," HENNESSY offers a haunting portrayal of her inner turmoil. With haunting melodies and stark honesty, she lays bare her struggles with mental health, recounting a harrowing encounter with her therapist and the relentless grip of intrusive thoughts. Despite her efforts to seek solace, she questions the efficacy of treatment in the face of ongoing anguish.While renowned for her soulful love ballads, maybe i’m oversharing showcases a different facet of HENNESSY's artistry. Through introspective tracks like "Me Myself & I" and "Therapy Session," she invites listeners to delve into the depths of her soul, offering a raw and unfiltered glimpse into her innermost struggles. With this EP, HENNESSY proves that vulnerability is not a weakness but a source of strength, resonating deeply with audiences seeking solace in shared experiences.

Nate Curry Returns: A Moody Journey Through "Crash Out"

By Tenzin Dekyi / February 5, 2024

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Hailing from the vibrant streets of Sacramento, California, Nate Curry has been steadily making waves in the music scene with his infectious energy and soulful melodies. His dynamic vocal range and relatable lyrics have resonated deeply with audiences, capturing the essence of personal struggles and triumphs. Following the recent success of his project Tight Knit, Nate Curry's trajectory in the world of Hip-Hop, R&B, and Pop music has been nothing short of meteoric.Now, after a brief hiatus post the triumph of his last project, Nate Curry returns with a mesmerizing new single titled "Crash Out." This track unveils a moodier, more introspective side of Nate's songwriting prowess, presenting listeners with a sonic journey that delves into the complexities of unconditional love. Produced by the masterful Cássio, who previously collaborated with Nate Curry on the entirety of Tight Knit, "Crash Out" promises to be a testament to Nate's ability to craft memorable music that transcends conventional song structures.The accompanying music video, directed by Cássio himself, transports viewers to the bustling streets of Downtown Sacramento, Nate's beloved hometown. Against this urban backdrop, Nate Curry's raw talent and magnetic presence shine through, solidifying his position as a formidable force in the music industry.With "Crash Out," Nate Curry continues to push boundaries and defy expectations, captivating audiences with his distinctive sound and undeniable charisma. As he navigates the ever-changing landscape of music, one thing remains certain – Nate Curry continues to move the needle with his unwavering authenticity.

Obai shines on debut EP, svnteen

By Alex Cherry / January 26, 2024

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The conversation around the evolution of R&B continues, focusing on who or what will define this new era. Today's artists are taking a multi-faceted approach. Artists are exploring different ways to stand out within the genre. One artist paving their own way with a sense of uniqueness is Obai.svnteen is an exploration into the artist's vast range of emotions. With a runtime of just 24 minutes, you’re introduced to the fascinating capabilities of a name to be aware of. Through his heartfelt performance and mature lyricism, listeners are truly able to visualize his artistry. The overall essence of the project, particularly evident in standout tracks such as "turn around," solidifies the Phoenix native's place in the conversation of noteworthy artists. The melodies displayed throughout are a major highlight, showcasing his exceptional talent. Each record has a level of tastefulness assisting in narrating Obai’s story.Obai fearlessly experiments with various sonic elements in his music. The EP is filled with groundbreaking percussive components that keep you engaged throughout. Rooted in the richness of his Sudanese heritage, records like “dancefloor” and “journals” reel listeners into the detailed pieces of pop flairs used to characterize a portion of the project. svnteen effortlessly blends the contemporary sounds of R&B and plays a pivotal role in shaping the project's unique sound.svnteen is a promising debut for a young artist who will continue to evolve. The ability to blend cultural influences with the modernity of R&B creates a recipe for success. Obai briefly answered a couple of questions with NORBU about the project. He discussed knowing the time was “now” to release especially after the momentum he established in 2023. He also discussed showing love for Phoenix creatives and how that influence positively impacted his creative process for svnteen.

Zacari Dives Deep into the Depths of Sound with Latest Release “Ocean”

By Tenzin Dekyi / February 1, 2024

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Hailing from the vibrant musical landscape of Bakersfield, California, Zacari Pacaldo, better known as Zacari, emerges as a beacon of innovation within the realms of contemporary R&B and soul. As a multifaceted artist wielding skills in singing, songwriting, producing, and instrumentation, Zacari has captivated audiences worldwide with his distinct sonic identity and unparalleled vocal prowess.A luminary affiliated with the esteemed Top Dawg Entertainment (TDE), Zacari's musical journey has been nothing short of extraordinary. With tracks like "Don't Trip" and "Midas Touch," he deftly blends genres, seamlessly weaving together elements of R&B, soul, hip-hop, and electronica, creating a tapestry of sound that is uniquely his own. His lyrical narratives delve into the depths of love, vulnerability, and self-discovery, offering listeners a deeply introspective and thought-provoking experience.In anticipation of his highly awaited debut album, Zacari embarks on a sonic odyssey, drawing inspiration from personal experiences and the boundless creativity of nature. The enigmatic artist invites listeners to immerse themselves in his melodic world with the release of his latest single, "Ocean." Co-produced by Pharaoh Vice and KND, the track exemplifies Zacari's unparalleled songwriting prowess, allowing his mesmerizing vocals to shine brightly against a backdrop of lush production."Ocean" is just a taste of what's to come from Zacari's forthcoming album, a project that promises to push the boundaries of musical exploration even further. With previous singles such as "Reverse" featuring the Grammy Award-winning James Fauntleroy and "Ave Maria" alongside the prolific Ty Dolla $ign, Zacari sets the stage for a sonic journey unlike any other. As he prepares to unveil his magnum opus, Zacari solidifies his position as a visionary artist, carving out his own unique path in the ever-evolving landscape of music.

Seth Sutch Shines with Soulful Verses and Authentic Storytelling in "flawless victory"

By Tenzin Dekyi / January 24, 2024

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Hailing from the vibrant streets of East Houston, Texas, twenty-three-year-old Seth Sutch is making waves in the music scene with his captivating blend of rap and soulful melodies. Influenced by titans of Hip-Hop like J. Cole, Mac Miller, and Chance the Rapper, as well as emerging talents from the underground circuit, Sutch's music is a testament to his eclectic tastes and profound storytelling.In 2023, Seth kicked off the year with a bang, releasing the soul-stirring single "Before the Sunset," which quickly caught the attention of listeners and landed him a coveted spot on Spotify's Fresh Finds Hip-Hop playlist. Since then, he's continued to build momentum, earning praise from notable publications such as Undrgrnd Stars and The Ghetto Flower.His debut full-length project, "Sunset Nostalgia," dropped in May 2023 to critical acclaim, surpassing over one hundred thousand streams and featuring standout collaborations with rising stars like Dende and Chris Patrick. With tracks like "Better as Friends" and "Motivate," Seth showcases his natural storytelling ability and poetic lyricism, solidifying his status as a rising star in the industry.One of the standout tracks from the album, Seth's latest single, “flawless victory,” paints a vivid picture of resilience and triumph in the face of adversity. Set against a backdrop of soulful samples, his elegant flow and smooth delivery captivate listeners as he shares tales of turning down deals and navigating the complexities of life and death.As Seth Sutch continues to make his mark on the music scene, his authentic voice and unwavering dedication to his craft make him an artist to watch. With each verse, he invites listeners into his world, offering a glimpse of the struggles and triumphs that define his journey.

Nico Tripodi's Reflective Debut EP "Please Give Your Body a Break"

By Brian Harrington / January 25, 2024

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Did your parents have a rule growing up that you had to be home by the time the street lights went on? Whether you grew up abiding by that or not, you can probably understand the reasoning: go out, have fun, explore, grow, and live life. But when things get dark, come back to where it’s safe.Nico Tripodi alludes to this theme, setting the tone on track one as he sings, “It’s alright, it’s all lies, I’m all alone/ I give it up, throw me out, I tuck and roll/ Beam me up, streetlights, I’m coming home.” Darkness is closing in, and it’s time to look for safety. But what does that look like when you’re an adult who’s grown beyond the comforts of home? This idea sets the scene of the Toronto artist’s debut EP, Please give your body a break.Tripodi made a name for himself working behind the scenes in various capacities, both as a music journalist writing in publications like Pigeons & Planes, and as a producer assisting other Toronto artists like Madhouse, Alex Bent + the Emptiness, and Ethan Low. Though he’s made his own music since the age of 13, nothing he’d made for himself felt right for release until now.“This is the first time I’ve created something I’d actually listen to,” said Tripodi.Sonically, you could describe Please give your body a break as “future folk,” where the soft acoustics and intimate lyrics are strategically countered by hard processing, tuning, and drum machines. Each song could make you cry while walking around your hometown at night, just as easily as you could speed it up for a catchy TikTok sound. This is best exemplified by the earworm single, “Wonton” where he melodically croons, “I gotta help myself or something/ I get ahead of myself, can’t function/ All my love, I fuck it up all up,” over a guitar lick that can rival Alex G and Dijon at their most replayable moments.The whole project sees Tripodi nostalgically reminiscing on moments and feelings passed, wondering how to process the present moment in those contexts. What makes a home, how can the same place feel so different at different times with different people, how can you give your body a break when it often feels like it’s constantly being beaten (figuratively) day in and day out? These are the heavy questions the pretty tracks reflect on.“I’ve gotta fight it, but I’m so tired/ I’ve gotta fake it, but it’s so hard/ I’ve gotta face it, but I can’t find the words to,” Tripodi laments on the track ‘Nines.’ These reflections came on the heels of two important figures in his life passing consecutively last year. The understanding that people will always come and go in life, whether you’re ready for them to or not, emphasized the importance of having a sense of home to depend on. Even if home doesn’t always look the same as you remember it.His introspections give listeners a picturesque soundtrack to have their own mental “indie-coming-of-age-movie-main-character” moment, a sentiment that takes on a literal sense with the track “Frances Ha.” He likens himself to the titular character, experiencing the trepid anxieties of having to move on from a person, as he sings, “maybe I should get up, get a grip, and settle down. I’m getting sentimental now.”Though he currently lives in Toronto, he still makes his best music at his childhood home in St. Catharines, Ontario. That’s where the streetlights beamed him back to, as he wrote and recorded this project in the basement of that house. To further put listeners in that headspace alongside him, the release of this EP is accompanied by an hour-long DJ mix, 2011 Camry Radio. It’s complete with ambient orchestral interludes, and influences like Abhi//Dijon, Sean Leon, Elliott Smith, and Mk.gee, alongside his own tracks.Thematically, the whole EP comes off as a plea to take care of others by taking care of yourself first. You can never truly know what you mean in the lives of others, or how easily their lives could be upended by your departure. As time marches on, it becomes clearer and clearer that we’re all we’ve got. For ourselves, and for those we care about. So why not take care of that? If you have just 13 minutes today to give your body a little break, Nico Tripodi has painted you a pretty great backdrop for that.

Oscar Smith on being “human”

By Chris Tyler / January 11, 2024

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Oscar Smith, the Australia-raised, UK native, teams up with Zarif Wilder (formally known as theMIND) and V.I.C to explore the nuanced conditions of being “human.” This introspective single opens with densely packed bars from the 21-year-old rapper, exploring themes of existential dread, social isolation, practicing gratitude during rough stretches, and the universal desire for love and acceptance.“human” finds us one month before Smith’s December 2023 release: understanding human connection. As the title suggests, this EP lends itself to prioritizing humanity in an increasingly polarized world and offers a probe into the highs and lows of our experience beneath the heavens. While honestly acknowledging the difficulties that life can present, the project presents a general air of optimism and resilience that embraces life’s flow instead of resisting it.Chicago-based songwriter and producer Zarif Wilder graces “human” with an angelic chorus, echoing a desperate yearning for connection and voicing the fragility of human existence. V.I.C closes out with a reflection on his search for solace while in survival mentality, coping with mental anguish, and a nod to our universal experience of playing the cards we are dealt to the best of our ability.While the three bring a unique perspective to this track, there is a steady throughline of keeping light amidst the heaviness of humanness and the proverbial pursuit of happiness that comes with living.Oscar Smith has demonstrated a keen persistence with single and EP releases dating back to 2019. With high-caliber collaborators like V.I.C, Wilder, and Mick Jenkins, this rising talent is someone to keep on your radar for future releases.

Unveiling Saint Hades: The Journey Through "Good Days Are Candy"

By Brian Harrington / January 18, 2024

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It’s possible you’re already familiar with Detroit rapper Rob Apollo and his endless shenanigans, whether you’re bumping his latest album NSFW 2: I Like Girls, or following along on TikTok where his outrageous bars have netted him several viral moments. But all the tomfoolery doesn’t come without a price, and as an outlet for his serious side, Apollo once again turns to his not-so-secret side project Saint Hades for his first album under the name in over two years.Good Days Are Candy plays out almost like confessional diary entries, complete with dates at the end of each song title to give context. If you’ve ever heard Rob Apollo clown around about sex, addiction, and mental health and wondered if living his raps takes a toll on him, Saint Hades is here to tell you it certainly does. He gets so candid in moments on this album that he’ll even shed the Saint Hades moniker further, referring to himself by his government name, Kendall.The goofy lyrics aren’t entirely absent, as he takes a line in the opening track, “heartbreak,” to joke about going through an old flame’s Venmo transactions when he’s missing them. But the foolishness certainly takes a backseat here as he wipes the clown makeup off and uses these 25 minutes to dive into more serious issues like his relationship with his father, addiction, living with OCD, masculinity, childhood, love, alcohol, therapy, and everything in between that connects it all.“12 steps saved me, I really needed it,” Saint Hades says earnestly on the track “therapy,” before pausing to let the words hang in the air as the beat breathes, before eventually dying off. This thread continues into the track “way too much to prove,” where he raps, “my dedication to this addiction recovery/ the first time I truly felt proud of any shit I did.” The lyrics will constantly flip-flop between dripping with remorse about the past, and shining with gratitude for making the necessary changes, as well as the people who have supported him along the way. The final track is the most recently dated (Nov. 2023), and Hades uses it to reflect on how far he’s come in the timespan of just this project (with the earliest track dated June 2022), as he laments, “You don’t need to heal the pain/ you need the pain to heal.”Whether Kendall’s rapping as Rob Apollo or Saint Hades, talking silly or subdued, there’s always a quality to Kendall’s raps that makes you hang onto every word. You never know what he’s going to say, leaving you eagerly immersed as you follow along to find out. The tears of a clown have never felt so replayable.

Asha Imuno's West Coast Sonic Odyssey: "PHONICS" Sets the Tone for Debut Album PINS & NEEDLES

By Tenzin Dekyi / January 29, 2024

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Drenched in the vibrant creativity of Moreno Valley, California, the 22-year-old Asha Imuno, emerges as a polymath of the music realm, seamlessly blending the timeless allure of classic Hip-Hop and R&B with a rejuvenating infusion of Soul and Funk. As an artist, producer, and songwriter, Imuno's artistic prowess transcends conventional boundaries, weaving a sonic tapestry that marries nostalgia with avant-garde innovation.Imuno's pen, a tool of precision that belies his youth, intricately crafts melodies that stick like honey, enveloping the listener in a cocoon of wistful emotion. His storytelling, nuanced and thoughtful, unravels the tapestry of experiences unique to a young black creative navigating the landscapes of the Inland Empire. Now, the genre-bending maestro from Los Angeles deciphers the complexities of relationships and silences the cacophony of romantic drama with his latest single, "PHONICS," featuring the homegrown talents of WESTSIDE BOOGIE and Tempest.Collaborating with the seasoned Zach Ezzy, renowned for his work with Jordan Ward, Smino, and Alex Isley, Imuno orchestrates a reimagined West Coast hip-hop experience in "PHONICS." The production, sharp and buoyant, intricately melds the resonant tones of world-renowned harpist Sara Kawai's harp with the pulsating beats of 808s. Imuno's sonic realm delicately balances on the tightrope between nostalgia and innovation, drawing inspiration from the luminaries of California's music scene, including Vince Staples, ScHoolboy Q, Suga Free, Bino Rideaux, Blxst, and Anderson .Paak."'PHONICS' unravels the intricacies of relationships that often spiral into unintended complexity, yet it's far from a ponderous, sentimental tune," Asha explains. "Crafted for the whip and house parties, it exudes a distinct West Coast vibe—a feeling and bounce that can only be authentically captured on this side of the musical spectrum."
In tandem with the unveiling of his latest single, Imuno proudly announces the arrival of his debut album, PINS & NEEDLES, slated for release on March 1st, 2024. Anticipation for the full-length project has already ignited among media tastemakers at Pigeons and Planes, The Line of Best Fit, and beyond, who eagerly await the immersive sonic journey that awaits.

Breez Kennedy's Seductive Sonics: Baring His Soul with "Who’s Been On Your Mind"

By Tenzin Dekyi / January 28, 2024

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In the symphony of contemporary music, Breez Kennedy emerges as a loverboy extraordinaire, wielding a lithely powerful tenor and a rare emotional courage that defines his musical essence. Born to captivate hearts and stir emotions, Kennedy seamlessly weaves supple melodies with unfiltered memories of wounded relationships, creating a musical tapestry that resonates with a reservoir of sensations.His latest single, "Who’s Been On Your Mind" stands as a testament to Kennedy's mesmerizing artistry. The track is as enchanting as it is unabashedly heartfelt, offering listeners an immersive experience into the world of wide-eyed love songs—anthems tailored for dreamers unafraid to lose themselves in the depths of their emotions.Hailing from the vibrant landscapes of New Jersey and Florida, Breez Kennedy has crafted his own musical destiny, swiftly becoming a force to be reckoned with. Influenced early on by the stylings of the legendary Chris Brown, Kennedy sought to emulate the crooner's famous runs, imprinting his own signature on each note and lyric.As Kennedy continues to carve his path in the music industry, "Who’s Been On Your Mind" is a testament to his commitment to pushing the boundaries of emotion and musicality. With a narrative rooted in the highs and lows of love, his music is a compelling journey that invites listeners to surrender to the intoxicating allure of Breez Kennedy's sonic universe.

Parisian Songstress Ethel Unviels Captivating New Single "Passing Ships"

By Tenzin Dekyi / January 27, 2024

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At just 23 years old, Ethel, the Paris-based singer-songwriter, is making waves with her soulful and genre-defying music. Drawing inspiration from the likes of Frank Ocean, Elliott Smith, and The Internet, Ethel has crafted an intimate musical style that transcends traditional boundaries.Hailing from a musical lineage, Ethel's destiny in the world of music was practically written in the stars. Born into a family where music flows through the veins, with her grandfather being the renowned composer and singer-songwriter Enrico Macias, and her father, Jean-Claude, an influential producer in France, Ethel inherited a passion for music from an early age.Fastforward, Ethel is on the brink of unveiling her debut EP, slated for release in February 2024. The first glimpse into this highly anticipated project comes in the form of the dreamy single, "Pixie Dust," a captivating introduction to the sonic world Ethel is eager to share with her audience. Ethel delves into the complexities of relationships with the track "Passing Ships." Exploring themes of commitment issues, insecurities, and the challenges of maintaining secure connections amidst anxiety and depressive states, the song serves as a poignant warning and almost a prayer to a loved one. Ethel encourages them to stay despite the inevitable crises that may arise, addressing the self-sabotaging patterns that often hinder the pursuit of what is truly good for us.As Ethel prepares to make her mark on the music scene with the release of her debut EP, audiences can anticipate a musical journey that is as rich in emotion as it is diverse in genre influences. Keep an eye on this rising star as she takes the stage and shares her compelling narrative through the language of music.

Reggie Becton Unleashes a Riveting Ode to Love and Heartbreak in "Bad M'FKR"

By Tenzin Dekyi / January 27, 2024

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Reggie Becton's latest single, "Bad M'FKR," is an unyielding anthem exploring the complexities of love amidst heartbreak. With hypnotic melodies and a soul-stirring vocal performance, Becton collaborates with producer Etienne, formerly known as JV the Producer, in a promising partnership that kicks off with this electrifying track. Known for his hits with industry giants like Janet Jackson and Ella Mai, Etienne's influence elevates the song's sonic landscape.Building on the success of SadBoy Vol. 1, which garnered over 7 million Spotify streams since its May 2023 release, "Bad M'FKR" propels Becton further into the spotlight with its continuation of the distinctive 'R&Bounce' sound. The track offers a tantalizing preview of what listeners can expect from the upcoming Sadboy Vol. 2—a fusion of sultry vocals, vulnerable lyrics, and hard-hitting aggressive beats.The leading line, "thought I was immune to the pain," draws listeners into an emotionally charged narrative that resonates with unexpected heartbreak. Reggie's musical journey, exemplified in Sadboy Vol. 1, reflects a genuine exploration of love amid trauma and toxic tendencies. Inspired by his passion for comic books and iconic films like Kill Bill and The Dark Knight Trilogy, Becton crafts an album described as "R&B music for the people of Gotham City."Sadboy Vol. 1 has already made a significant impact, accumulating over 2 million streams and earning placements on major DSPs such as Apple Music, Spotify, Tidal, Amazon Music, and Audiomack. The project has also received recognition from renowned platforms including Billboard, Okayplayer, Pitchfork, BET, and more."Bad M'FKR" not only stands as a testament to Reggie Becton's artistic prowess but also showcases the dynamic evolution of the "R&Bounce" genre. As Becton continues to push boundaries and captivate audiences, this latest single is a thrilling glimpse into the musical journey that lies ahead.

Taylor Hall's Soulful Journey Unveiled in "Awkward In Betweens": A Resonant Offering of Evolution

By Tenzin Dekyi / January 22, 2024

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In her latest musical revelation, Taylor Hall, the enigmatic R&B/Pop virtuoso renowned for her soul-stirring tunes and profound lyrics, unveils the compelling single "Awkward In Betweens." Hot on the heels of her triumphant release, "Caged Bird," Hall solidifies her ascent as a burgeoning star in the ever-evolving music panorama."Awkward In Betweens" sees Taylor Hall delving into the intricacies of personal evolution and self-discovery. The song's poignant verses articulate the challenges of transcending past confines, navigating uncertainty, and carving out one's niche in the vast expanse of the world. With a seamless fusion of soulful vocals and an enchanting melody, Taylor's latest opus is poised to enthrall audiences, leaving a lasting resonance.This musical composition encapsulates the emotional odyssey of breaking free from historical constraints, embracing change, and stepping into a newfound realm of confidence and self-awareness. Through heartfelt lyrics and a compelling musical arrangement, Taylor Hall extends an invitation to her audience to embark on a journey of introspection and empowerment.Beyond her prowess in crafting melodies, Taylor Hall's distinctive talent lies in her ability to convey a message that transcends conventional boundaries. "Awkward In Betweens" stands as a testament to her artistry, highlighting her evolution as an artist committed to sharing narratives that strike a profound chord with her listeners.Experience the enchanting allure of "Awkward In Betweens" and accompany Taylor Hall on a musical expedition that exalts growth, resilience, and the beauty of self-discovery.

Daniel's Sonic Evolution: From "Delicado" to "DELICIOSO" - A Bold Departure into Darker Tones

By Tenzin Dekyi / January 21, 2024

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Hailing from Bogota, Colombia, Daniel embarked on a transformative journey at the tender age of 7, relocating with his parents and younger brother Juan to South West Florida. Nestled in the melting pot of the Golden Gate community, this move not only acquainted him with the American way of life but also exposed him to the rich tapestry of diverse cultures. This multicultural upbringing weaves its way directly into Daniel's sound, a reflection of the myriad universes, cultures, and perspectives that reside in his mind and soul. Adding to the intrigue, Daniel made his musical debut in 2022.The DELICIOSO EP serves as the yang to Daniel's initial release, Delicado, where he unveiled the delicate facets of his personality. However, in this latest project, titled DELICIOSO, Daniel embraces the polar opposite – shedding the soft and gentle for a newfound confidence and edge. The sonic landscape undergoes a radical transformation with darker tones and more robust drum beats, signaling to the world that Daniel is here for a thrilling ride. The project's genesis traces back to the summer of 2022, initiating the writing and recording process.
The journey wasn't without its challenges but despite these obstacles, he remained steadfast in his vision, determined to blend the beloved perreo vibes with modern elements from genres like pop and hip-hop, all while infusing the distinctive sounds of his hometown.
Daniel's musical evolution encapsulates resilience, artistic exploration, and a commitment to pushing boundaries. DELICIOSO not only marks a departure from his earlier sound but also showcases his ability to navigate adversity and emerge with a sound that's bold, dynamic, and ready to captivate audiences seeking a fun-filled musical experience.

In the Ever-Evolving Realm of Pop, Bentley Robles Emerges With "JUST OK"

By Tenzin Dekyi / January 20, 2024

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In the ever-evolving realm of pop, Bentley Robles emerges as the harbinger of a new era, anointed as "the future of pop" by the venerable Spotify. His journey from the depths of NYC's underground music scene has forged an indelible mark on the global stage, propelled by a fiery persona that sparks passion in the hearts of fans worldwide.November 2023 witnessed the unveiling of Bentley's debut EP, 'UGLY CRIER,' a magnum opus lauded as a "true masterpiece" by Wonderland. This sonic tapestry, consisting of six tracks with lead singles "HOPE U CRY" and "GOD IS A FUCKBOY," has not only dominated streaming platforms but has also catapulted Bentley to the zenith of the music industry.The pulse of Bentley's pop-perfect anthems synchronizes seamlessly with the vibrant energy pulsating through gay clubs across the United States. His live performances at iconic venues such as ELSEWHERE, Brooklyn Made, The Bowery Electric, and Mercury Lounge solidify his status as the "MAIN POP BOY," an accolade reverently embraced by his devoted fandom of "UGLY CRIERS." With an impressive 4.5 million streams on Spotify alone, Bentley Robles stands as an unstoppable force on the brink of conquering the mainstream pop music landscape. His eyes glisten with glittery tears, reflecting a narrative that transcends traditional boundaries.Enter "JUST OK," a delusionally romantic anthem that captures the essence of iconic Rom-Com climaxes. Bentley unabashedly bares his heart, confessing to the world through lyrics that recount "blowing up his phone like Samsung" and "knocking his car headlights out." The cinematic allure is heightened by synths that paint vivid scenes and a bridge that beckons the nostalgia of holding up a boombox.In the symphony of Bentley Robles' artistry, "JUST OK" stands as a testament to his creative zenith, encapsulating the essence of love, delusion, and unbridled passion. As he continues to carve his path, Bentley Robles remains an enigmatic force ready to redefine the very fabric of mainstream pop.

Magana's Multicultural Melody: A Journey of Love and Loss in "Let's Get Away"

By Tenzin Dekyi / January 20, 2024

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In the vibrant tapestry of musical talent, Magana emerges as a versatile singer-songwriter and producer, weaving her rich cultural background into every note. Hailing from Nairobi, Kenya, with roots extending to Uganda and Tanzania through her parents, and born in Virginia, U.S.A, Magana's diverse upbringing fuels the captivating narrative of her forthcoming single, "Let's Get Away," set to release on January 12, 2024."Let's Get Away" unfolds the spellbinding tale of a Bonnie and Clyde-esque duo chasing freedom, escape, and new beginnings, only to encounter a tragic twist in their journey. Magana, drawing inspiration from Ta-Nehisi Coates's The Water Dancer, shares, "I wanted to write a song that really challenged me, not only sonically but lyrically as well. It resparked my creativity."Intrigued by the complexities of the narrative, Magana skillfully incorporates her voice as an additional instrument, experimenting with layered harmonies, floating ad-libs, and breathy samples to craft an immersive soundscape. The result is a sonic enchantment that beckons listeners into a world where each note tells a story.
As Magana embarks on this new chapter of her career, "Let's Get Away" serves as a testament to her artistic versatility. Brace yourself to be transported into Magana’s realm of evocative storytelling and soulful melodies, where every note resonates with passion and purpose. Get ready to dive deep into Magana's world on January 12, 2024, and experience the magic of "Let's Get Away."

Darkua Emerges as the R&B Poster Girl in Accra with Sultry Single "Say My Name"

By Tenzin Dekyi / January 20 2024

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In the bustling musical landscape of Accra, Ghana, the spotlight is on Darkua, the AfroSoul and R&B virtuoso, as she unveils her latest single for the year, "Say My Name." Following the triumph of her 2023 hit "Echo," Darkua solidifies her stature as the poster girl of R&B in Ghana."Say My Name" is a delightful homage to the R&B sounds of the 2000s, infused with Darkua's unique style. The production credits for this soulful journey go to Gv Made It, High Jam, and the talented keyboardist Albert Keyz. The track mirrors the liberating sensation of breaking free from a dishonest lover, accompanied by a mix of spiteful wishes for both the best and the worst outcomes. Darkua's poignant lyrics convey, "It gets better, I'll be better. I pray you say my name when you spread her."In a candid discussion about the record, Darkua revealed, "I've always had a deep interest in R&B music. While my debut single 'Amalelor' carried an R&B touch, leaning towards Afro R&B, 'Say My Name' gave me the opportunity to fully immerse myself in the R&B genre. Listening to artists like Jorja Smith has broadened my perspective. R&B is on the rise in Ghana, rightfully receiving the spotlight it deserves. I am ready to lead the charge and leave my mark in the burgeoning R&B scene."Darkua's enchanting vocals, melodic prowess infused with R&B influences, and her ability to craft meaningful, relatable emotions into her lyrics shine through in this new release. "Say My Name" is a testament to Darkua's dedication to carving her niche in Ghana's dynamic R&B landscape.

Multi-dimensional Melan Capped Off the Fall With Her Latest Single "Lucky Girl Syndrome"

By Brain Harrington / December 21 2023

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Multi-dimensional DMV singer Melan capped off the fall with her first single since last winter with “Lucky Girl Syndrome.” A mentality that made rounds on TikTok this year, “Lucky Girl Syndrome” is the belief that positive thinking and affirmations will bend events to your benefit. Melan flips the idea into a slyly seductive anthem about loving your own life because it’s what you created for yourself.
“I want it, then I attract it / Real life magic, you could have it.”
The lyrics drive home the theme of affirmations, self-love, and the power of manifestation over a hypnotically energized beat, courtesy of producer landen. Melan masterfully crafts her artist identity by covering these ideas.
In Melan’s own words, “Lucky Girl Syndrome” is a genderless concept working in the law of assumption: “assuming that everything is working out for you for your highest and greatest good, and to the harm of no one.” For her, the concept is less the result of luck and more based on intentional affirmations.
“Even when things don’t go my way,” Melan explains, “somehow the universe is redirecting it to work for my benefit.”
In my own words, “Lucky Girl Syndrome” is a more concise take on the idea of A Cool Girl Dream, the title of Melan’s 2021 debut EP. In “Lucky Girl Syndrome,” she sounds more poised both from a technical standpoint and as a performer. “Lucky Girl Syndrome” seems to be working for her as much on her path as an artist as it is in her everyday life. Some may call it delusion, but at the very least you can’t watch the music video and say it doesn’t look like a good time. Recommended for fans of Raveena, Ama Lou, and hacking into the laws of the universe.

Korin Releases Enticing and Tasteful New Record "Numb"

By Alex Cherry / January 6, 2024

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As 2024 begins, many listeners are beginning to clamor at the idea of what artists they’ll keep in
their daily rotations. R&B in particular is reviving itself as the essential genre with the variety of
emerging names to be aware of. One stand-out who is sure to be a major player in the new year
is Korin.
Korin recently released a tasteful offering titled, "Numb." The single speaks to the soul of a forever evolving genre. From the initial lyrics about feeling alone, Korin expresses her frustrations about the ineffectiveness of a distant lover. This is common and what comes next are those once powerful feelings and becoming “numb.” Throughout the record, Korin possesses that ability to visually capture this narration. She also displays a phenomenal level of writing that assists in "Numb" being a song one can easily gravitate towards.There is a simple yet elite sense of vulnerability witnessed through her lyricism. As the hook of “I feel nothing” is harmonized, you continue to see the aura of an emerging star being showcased. The tasteful variation in the production highlighted by a jazzy bass-line captures the essence and makes "Numb" worth every second.Even with the message in the track, there are many layers within the depth of an exceptional record. "Numb" exceeds the mark of being repayable. If you’re not familiar with the stunning R&B artist from Atlanta, she also has a record with rising rapper, Tony Shhnow, titled, "My Way," which is another thrilling song. Be sure to keep Korin on your radar as she is due for a breakout year.

ROMderful’s Wonderland, Ice Cream Clones 2

By Chris Tyler / December 21, 2023

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Hailing from Birmingham, England, ROMderful is a British singer, producer, and instrumentalist. As a follow-up to his 2021 album PLEASE RECONNECT THE CONTROLLER, he graces us with a technicolor, chocolate-covered daydream titled ICE CREAM CLONES 2: a no-skip masterpiece.ROMderful floats listeners through a vibrant sonic adventure, diving into a vast textural exploration with each song. The album hits our ears with a punch on track one, “POW!,” adorned with infectious guitar chords and a bursting percussive section. We are trailed into a trance with track two, “HEAD OVER!,” a gorgeous jazzy daydream and confession of infatuation for a magnetic love interest. ROMderful delights the ear with his vocal delivery, sprinkling featherweight scats and seamless runs throughout the track. One cannot help but be utterly captivated as a listener, while in awe at the musical prowess demonstrated through his arrangement.In its entirety, the project is fun, buoyant, mesmerizing, and sugar-cone-sweet, making ICE CREAM CLONES 2 an effortlessly fitting title for this musical sundae. It features an engaging, highly dynamic soundscape that explores an array of elements, flirting with the realms of 80s pop, electronic, house, and early 2000s hip-hop and R&B. With a dash of reminiscence for classic SEGA and Nintendo soundtracks, this 10-track is an innovative, magical, and fresh gift to the ears. With his steady slew of releases over the recent years, ROMderful is tracking to be a lovable, radiant, in-demand force as an emerging artist.

Eric Ryan's Love Sonata “So Bad'"

By Tenzin Dekyi / November 22, 2023

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In the realm where the stars paint stories on the canvas of the night, "So Bad" emerges as a ballad, an eloquent ode to the flames of love igniting at first sight. Eric Ryan, a soulful weaver of melodies, collaborates with Maria-Therese to craft a symphony that transcends mere notes, delving into the raw, primal emotions that awaken when eyes meet for the first time. A sonic love letter, penned with musical finesse, it captures the essence of that transcendent moment when desire dances in the heart.Eric Ryan, melds genres like R&B, Neo-soul, Lo-fi, and Alternative influences converge seamlessly, creating a harmonious tapestry that mirrors the complexities of love, life's tribulations, and the echoes of self-discovery. Born and nurtured in the vibrant tapestry of Toronto, his journey began amidst the school choir, where he serenaded the echoes of his dreams with guitar strings. Influenced by the likes of Frank Ocean, Daniel Caesar, One Direction, Boyz II Men, and the punk allure of Green Day, Eric's sonic landscape paints a portrait of his diverse inspirations.The praise sung by influencers and revered outlets like Early Rising, Lyrical Lemonade, Escape Tracks, and more wove a narrative of recognition. In this digital spotlight, Eric's music found a home, gracing the stages of appreciation illuminated by the likes of EARMILK, Fashionably Early, American Songwriter, Pop Dust, DUMMY MAG, CBC Music Toyota Searchlight, and the distinguished RBCxMusic Featured Artists. So let the notes of "So Bad" serenade your senses, a testament to Eric Ryan's journey from the school choir to the digital symposium, where his musical alchemy resonates, casting its spell on hearts that beat in rhythm with the poetry of love.

Gold Haze Reveals Poetic Overture With “YOUR PAIN IS MINE”

By Tenzin Dekyi / November 22, 2023

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In the recent unveiling, Gold Haze breathes life into the poetic tapestry of "YOUR PAIN IS MINE." Hailing from the pulse of Chicago, Gold Haze transcends the conventional roles, not merely a producer but an artist weaving collaborations alongside Ausar, Femdot, Kayo, FLEX SINATRA, OG Stevo, She’s Face, Goody, Laje, Galaxy Francis, Cassius Tae, Bunny Liiu, Luv Moore, and more. The album's soul-stirring melodies and nostalgic productions carve a sacred space, a canvas for creators to bare their souls and articulate the shared tribulations inherent in the alchemy of creation.The symphony of Gold Haze's musical prowess odyssey unfolds with a kaleidoscope of collaborations and paints Gold Haze's narrative alongside luminaries such as G Herbo, Brittney Carter, Vic Mensa, and more. His instrumental sonnets resonate across platforms like Soulection, their echoes reaching commercial realms, embraced by giants like Nike, Adidas, Jordan, and Puma.Beyond production, Gold Haze's artistic fable extends, chronicled in the verses of his 2019 mixtape, "More Than Gold." A prelude to the grand opus, "From Here On Out," unfurling its wings on February 10th, 2021. A date entwined with destiny, mirroring the debut of Kanye West's epochal "College Dropout," a celestial alignment, a testament to Gold Haze's poetic journey echoing in the corridors of inspiration. With the unveiling of "YOUR PAIN IS MINE," Gold Haze continues to showcase the evident talent of not only his musical and versatile abilities to produce a cohesive sonic project, but his ability to bring the best out of the artists he chooses to collaborate.

Kiran The Nomad Piques Listeners Ears with New Sound

By Natalie Barimah / November 22, 2023

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There's something to be said about an artist's ability to bring new and refreshing sounds to the forefront of their craft, while still delivering consistently. Kiran The Nomad is executing this strategic recipe with precision as he prepares to release the first two singles from his upcoming EP.Kiran kick-started this journey with his first single titled "Sativa" — a sure smokers anthem featuring lucid harmonies sung by Lily Aviana. I had the chance to speak to the rapper briefly about the track, during which he informed me that his main goal was to create a “feel-good” vibe for people to unwind and smoke to. The single transcends into the first verse, where the rapper admits that the lack of support over time has changed him. “Ain’t no love for me in my city. I was just a younger version of me and they killed him.”As you continue to listen, you’ll hear Kiran’s seductive and effervescent thoughts that accompany the high. “F******* in this rental cause it’s tinted, smoking on sativa…something simple.” "Sativa" is the first of two singles provided towards the rollout of the UK rapper's rumored EP. The second and most recent single, titled "Gucci," features highly respected R&B artists, Breyan Bliss and Morgan Gold. For many, the term “gucci” describes the feeling of everything being worry-free, which is also the tone felt when listening to this record.Much like on his first release, Kiran experimented with new and memorable sounds for "Gucci," by faintly sliding vocals across the hook. “Pull up on me anytime you want babe. Hit my line you know that s*** is Gucci.”As Kiran The Nomad continues to showcase his unlimited and untapped potential in music, I encourage you to get familiar with the artist early.

Arianna Reid Unveils Enchanting Debut EP “Love Heals All”

By Tenzin Dekyi / November 19, 2023

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Hailing from Brampton, Ontario, Canada, Arianna Reid is a one-stop shop singer-songwriter and producer that has been steeped in the world of music since her early years. As years went on, Arianna immersed herself in the realms of producing and recording. This marked the birth of her distinctive sound, a fusion of her vocals seamlessly intertwined with her production prowess. The integration of her crafts quickly took notice by many other artists in the space where Arianna found herself contributing to songs by notable artists like Daniel Caesar, Freddie Gibbs, along with recent collaborations with Jozzy, Diddy’s first signed artist.Arianna Reid breaks down each track and explains, "Love Heals All" focuses on agape love. Primarily the beautiful exchange that happens between God and oneself. As well as the healing that love brings to oneself. "Soulmate" focuses on eros love, and the beauty that transpires between soulmates/during romantic love. "Deeper Love" focuses on love and being healed enough to venture into the unknown.” With the art of expression and transparency, Reid reflectively uses her lyricism and ethereal vocals to help visualize the deep and raw emotion of love.Remaining poised to carve her niche as a solo artist while maintaining collaborative efforts with established musicians, Reid has been able to acquire the attention of many with her unique sound. Over the past two years, Arianna has dedicated her free time to honing her craft from the comfort of her home, focusing on songwriting, producing, and recording. Her debut single, "Love Heals All," and second single, Soulmate, released this summer, garnered attention on prominent Spotify playlists like “Fresh Finds” and earned her features on BBCRADIO1, CBC Music, and Vibe magazine. With the release of her EP on October 25th, 2023, Arianna Reid is set to captivate audiences even further with her musical prowess and unwavering dedication to her art.

FELIX! Reveals Genre-Bending EP "PLEASE DON’T STEAL MY CLOTHES" and Captivating "PARIS FASHION WEEK" Video

By Tenzin Dekyi / November 19, 2023

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Brockton-based and Van Buren Records’ very own FELIX!, is making waves with the release of his latest 2-track EP, "PLEASE DON’T STEAL MY CLOTHES." The unveiling follows the triumph breakthrough on the Billboard charts, fueled by his notable contribution to Brent Faiyaz’s album "Larger Than Life." Specifically, his standout track "Upset" boasts over 12 million streams, securing impressive positions at #12 on Hot R&B Songs and #33 on Hot R&B/Hip-Hop Songs. With this momentum, FELIX! takes center stage in his solo career, presenting a distinctive blend of genres and showcasing his lyrical mastery in the EP's lead track, "PARIS FASHION WEEK."

FELIX! brings a fresh perspective to the New England Hip-Hop scene. His music seamlessly weaves elements of Hip-Hop, R&B, and rock into an experimental soundscape that defies convention. Stemming from personal challenges, FELIX! turned to music as a therapeutic outlet, resulting in his critically acclaimed debut album, In Bloom, Forever, released in 2019. This EP marked the introduction of FELIX!'s genre-blending abilities, skillfully merging vulnerability with confident expressions.FELIX! has played a significant role in shaping regional hip-hop while garnering the attention of industry heavyweights like Brent Faiyaz. Now more than ever, FELIX! is focused on his solo endeavors and reaffirming his proficiency to deliver a marriage of versatile sounds. This offering is just the beginning as it provides listeners with insights into the complexities of contemporary life while embodying the persona of a boundary-pushing modern-day rock star.

Malik English Reveals the Enchanting Allure of "Haunted"

By Tenzin Dekyi / November 14, 2023

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Brooklyn’s Malik English returns with his latest creation, the mesmerizing "Haunted" that serves as a testament to Malik's prodigious production skills, featuring a tapestry of punchy drums and subtle guitar lines. Malik's vocals, dripping with emotion and infused with R&B sensibilities, weave a poignant narrative with vulnerable lyrics, creating an immersive experience for the audience. His distinctive melodic style and infectious rhythmic tone serve to solidify his unique imprint on the ever-evolving music scene.Malik unveils the layers of its inspiration behind the creation of "Haunted" and explains, "The record’s about dealing with someone that hasn’t fully handled their own baggage. At times it feels like you're paying for someone else's mistakes. It’s a harrowing position to be in as you end up feeling anxious yourself, confronting the specters of their past." This raw authenticity and introspection add depth and resonance to Malik's music, establishing an intimate connection with his listeners.Hailing from the diverse roots of Trinidad, Nigeria, and Canada, Malik draws inspiration from his rich multicultural background. Effortlessly blending genres, he creates a musical palette that defies conventional boundaries. Since 2020, he has graced prestigious venues like SXSW, The Apollo, and SOBs, accumulating over 350k streams on Spotify alone. This year unfolded as a captivating whirlwind for Malik, gracing stages across the United States as the opening act for acclaimed artists such as Justin Love and Ben Reilly. Malik is on a mission to break free from preconceived notions, emphasizing the importance of vulnerability and authenticity in his music. With significant milestones on the horizon, Malik English is confidently emerging as a rising star in the dynamic, ever-evolving world of music.

Vibrant Harmonies Captured by Aisa's Latest Offering, "Company"

By Tenzin Dekyi / November 14, 2023

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Las Vegas-based Pop/R&B artist, Aisa unveils his highly anticipated single, "Company," through the Los Angeles-based label Homegrown, distributed via Too Lost Distribution. The release is complemented by an official visualizer video meticulously crafted by Miles Murphy, recognized for his work with notable artists like MAX, Snakehips, Daya, and Vance Joy. "Company," a creation written by Aisa and produced by LOUALLDAY and Floyd Fuji, marks a significant artistic endeavor that aligns with Homegrown's ethos of creative development from the ground up.Simple guitar chords over some simple drums, "Company" highlights Aisa’s ability to explore different harmonies that sound so full yet so minimal. Aisa possesses the very rare and mesmerizing skill of evoking emotions with his lyrics and production. "Company," encapsulates the essence of Aisa's journey and serves as a testament to the organic growth fostered through his undeniable talent.“Lyrically, "Company" is a song about a night out, where energies from strangers and friends alike sort of clash together to create a feeling of warmth and good energy. The song is about good company; I feel like I'm unstoppable when I'm with the right people.” - AisaOriginating from a Filipino-American background, Aisa embarked on his musical journey by co-creating the boyband collective "jaded fantasy" during his college years. Influenced by a transformative Steve Lacy TED Talk, he found the motivation to share his unique narrative. Drawing inspiration from artists like Frank Ocean, Yeek, and Steve Lacy, Aisa's debut effort, "Crazy-ish," set the stage for subsequent releases, including "All Day," "Love Language," and "bowl." Presently, Aisa is diligently working on his next full-length project scheduled for an early Spring 2024 release, promising an introspective exploration into his roots, childhood, and the concept of home.

Siaira Shawn's Ethereal Journey Through Love and Sound

By Tenzin Dekyi / November 14, 2023

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In the melodic tapestry of sound, Siaira Shawn emerges as a vocal luminary, her voice a harmonious blend of inspiration and solace. With each note, she unveils the intricate shades of love, both in the cadence of her music and the poetry of her lyrics, transcending borders to resonate with all. "Candles," a collaboration with Jay Wile, becomes a poignant chapter in her upcoming offering, "Ephemera," a testament to the ever-evolving narrative of love. Through personal trials and soaring aspirations, the constancy of love persists, echoing the assurance that "I'm never far or hard to find."In the story of musical creation, Siaira Shawn's voice becomes a not-so-secret enchantment, a blend of rousing resonance and soothing serenity. Nurtured in the vibrant cityscape of San Francisco, her journey began on the stage, where a standing ovation for her role in “Alice in Wonderland" kindled the spark of her artistic pursuit. A creative omnivore, she drew inspiration from theater, literature, and poetry, before channeling her passion into the realm of music. Her trilogy of EPs, from "Ghost" in 2013 to the "Flowers While You're Here" series in 2015, unveiled a versatile artist with a captivating mastery of pacing and a soulful, pillowy tone.Siaira Shawn's ability to articulate the intricacies of love, both in emotion and verse, transcends the confines of the recording studio and graces the television screen. "Wrong Speed," a hazy, mid-tempo masterpiece capturing the essence of gray areas in yearning, found its home on the acclaimed HBO series “Insecure.” The momentum propelled her to the sensual allure of "Wait For It," now her most celebrated creation. As R&B continues to grow and develop, Siaira Shawn emerges as a compelling force in the landscape and her ethereal soul poised to leave an indelible mark on the hearts of listeners.

Amal Zenab Releases Captivating New Single “Ride”

By Tenzin Dekyi / August 26, 2023

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Following her most recent release “BOSSA ANDALE,” Amal Zenab returns with an enticing new release “Ride,” that is featured as the first single off her upcoming EP “Safe ‘n Sound.” Born in New York City and raised in Jamaica, Queens to an Egyptian-Sudanese father and a Jamaican mother, Zenab adopted a versatile and experimental sound that is displayed through her music. Zenab’s ethereal vocals over some drums is the simplicity of the production needed to produce a great track. Despite a short catalog on streaming platforms, Zenab consistently delivers and continues to develop her artistry with every release by expanding sonically. “Ride” immediately takes listeners on a trance and is set to release on July 14th, 2023.Behind “Ride” – “Ride” is the first song off of Amal Zenab’s four-track EP titled, “Safe ‘n Sound.” Produced by Nathan Bajar, the trap-inspired drum pattern combined with heavenly, deeply layered vocal stacks really entices listeners to zip down the freeway with all of the windows down. Lyrically, Zenab paints a picture of a convo she’s having with her love interest, asking if they’re “down to ride” with her, since it feels right.Amal Zenab (pronounced ah-mel zey-nab) is an American singer-songwriter who fuses neo-soul, alternative, jazz, funk and R&B into her unique sonic experience. Born Amal Zenab Ahmed, she was exposed to a wide range of music in her childhood – from the Gipsy Kings and Stevie Wonder to George Michael and Elton John. As a result of the influences deeply ingrained within her, Zenab in turn wants to express her own sound that is a result of the amalgamation of her subconscious mind.

Radamiz Showcases The Versatility of Sonics That Can Exist As a Lyricist With EP “3 Days Outside Your Body”

By Tenzin Dekyi / August 26, 2023

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Following Radamiz’s last solo project, “Gnashing, Teeth” that dropped earlier this year, the New York native returns months later with a three-track project titled “3 Days Outside Your Body,” confirming his evident talents as a wordsmith and artist. With songs like “Pendulum” that mirror characteristics of a dance record, Radamiz showcases his abilities as a rapper to beautifully blend the art of writing with sonics that may not be acknowledged or known as backdrops for lyricists. Radamiz has acquired over 1.4M streams on Apple Music and 4M on Spotify, while his songs appear on radios like Hot 97 and Beats 1. With every release Radamiz continues to implement the art of storytelling without any boundaries for the sake of authenticity and substance.In Radamiz’s words – “3 Days Outside Your Body” was conceptualized around movement, dance and melody. The inception of this EP came about naturally as I was working on releasing my prior two projects of this year and being moved to fill out the balance more. As an artist known for his lyricism, I think at some point the general audience starts to confine a certain assertiveness with lyrics in our genre with a specific tempo and sound design, which I believe is very limiting.If the soul could be translated, its imprint pressed into wax or reverberated through speakers, Bedstuy-born wordsmith Radamiz is the kind of artist who would dedicate himself to the pursuit of such a legacy. His music, an effervescent mix of sensitive poetic musings and the braggadocious wanderings of an expansive mind, leaves no philosophical stone unturned. Yet for all his complex inner-musings, the 29- year-old’s true gift is his ability to see himself in others, and then translate the unspoken dreams, fears, failures, victories, and litany of other emotions that swirl together to create the human experience. Since the independent release of his debut album, Writeous, in April of 2016 — which dropped three months before he opened for Nas at the Brooklyn Hip-Hop Festival in July — Radamiz has continually carved a space for himself as a multi-disciplinary architect who simply wants to revel in the joy of creation.

Sacramento’s Nate Curry Reintroduces Himself With Latest Project “Tight Knit”

By Tenzin Dekyi / August 26, 2023

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After 3 years since his last album, Nate Curry reintroduces himself with his latest 8 song, 12 min 59 sec project titled “Tight Knit” that takes listeners on a sonic journey that marries a number of different genres and feelings. Since the release of “Tight Knit” on May 30th, 2023, the project has taken a life of itself and has resonated with and been supported by listeners across the country. With editorial placements from Spotify’s Fresh Finds and Apple Music’s “New Bay” playlists, Nate Curry is quickly becoming an artist that is undeniably catching the attention of many.“It’s really hard to throw it in a genre or category. With that being said it sounds so familiar. It’s 8 songs, 13 minutes but still somehow gives the feel of a full length classic album. Truly feel like through instinct and pure love, we created our own new lil world people can go visit. It sounds so fearless and free because of the place inside it came from. Wanted to make sure that care, accommodation, accountability, and integrity made its way through in every song, just like how I always hope to improve in real life. Produced entirely by Cássio, this project is the clearest reflection of ourselves not only as artists but as people. I’ve never been so proud, so sure, so die on this hill.”Nate Curry is a rising artist from Sacramento, California. Nate’s music is characterized by his dynamic vocal range and relatable lyrics, which touch on personal struggles and triumphs. His single “Temporary Fix” garnered significant attention, and he has since released several well-received singles and EPs. Nate’s music has been praised for its infectious energy, making him a favorite among fans of Hip-Hop, R&B and Pop music. With his signature sound and undeniable talent, Nate Curry is poised to become a major force in the music industry.

Chicago’s Very Own Kayo Releases Alluring New Single “Free of Charge”

By Tenzin Dekyi / August 24, 2023

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Coming off the successful release of his debut album “It Was Fun While It Lasted” at the top of the year, Kayo has been on an undeniable run. His first release after the debut album was in early June titled, “I Been (feat. Flood)” and following that release on July 12th, 2022 Kayo returns with his latest alluring release “Free of Charge.” With a sonically striking loop over a heavy-hitting beat, Kayo delivers his lyrics with grit and intention, reminding others what it means to be a rapper. From interview to interview and radio show to radio show, Kayo’s artistry and talent is constantly on display. With every release, Kayo continues to convey his versatility as an artist and wordsmith and claims his spot in the rap game.“I feel like this is my graduation into “rapper” honestly. I’ve always been a lyricist and artist but I grew up loving gritty rap. And to us rappers were always cooler than “artists” so to speak. This felt like my graduation into that class I always wanted to thrive in.”Behind “Free of Charge” – ”Free of Charge” was made in March of 2022. It was produced by Southpaw Swade. We finished it in a 2 hour session and played it on loop for like the last hour. It was that crazy on first listen. We were listening to the Pusha project heavy, “It’s Almost Dry,” around the time which is where the idea of the beat came from. I got a pack of beats, 2 from THRD and one from Swade, one was literally called Pusha T, one called Cullinan, and I think Swade’s “Free of Charge” beat was called like 8 ball or something.

Erykah Officer’s New Single, GLS, sets the stage for her Debut EP “Ery’s Diary”

By Alex Cherry / August 24, 2023

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As the leaves fall and the weather gets cooler, there's a comforting breeze sweeping through R&B, and her name is Erykah Officer. The soulful songstress is ready to leave her indelible mark on music with her upcoming debut EP, “Ery's Diary”, releasing on October 25th. In anticipation of a thrilling occasion, she has unveiled a captivating new single, GLS, that's bound to leave listeners entranced and eager for more.
Erykah Officer, who you may be aware of if you’re familiar with the CXR collective, composed up of her along with the talented Dende and Chris Patrick. They are in a season of highs with the recent release of a stellar group project, Before The Summer’s Over. Momentum is now on her side as the enchanting songstress is ready to continue growing as a solo artist. Her voice holds the power to garner a wider audience.
GLS or “Greatest Love Story” is the perfect introduction. A record that showcases her radiant vocals and introspective songwriting, all wrapped up in a sensuous and soulful R&B package; She conveys her emotions with authenticity. The record is a testament to her prowess, as she effortlessly weaves through the delicate moments. From the moment you press play, listeners are transported into a sonic landscape that's both evocative and deeply personal.
Erykah pulls at the heartstrings, delivering a heartfelt visual narrative of the bittersweet nostalgia of a romance that’s complex and lingers in her mind. As she touches on the imperfections of a former love, her relatability makes it easy for listeners to connect with her experiences.
The layered arrangements are masterful and lush. A blend of live instrumentation complements the invigorating vocals on display to create a harmonious and tasteful record.
A smooth listen, the “Greatest Love Story” is more than just a prelude to Erykah’s forthcoming EP; it's a statement to her artistry and promising potential as one of the brightest emerging names in R&B.

Three Months with Hadji Gaviota’s wallflower Album

By Brian Harrington / November 12, 2023

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Queens’ artist Hadji Gaviota approaches his new album with a deep and open vulnerability for his listeners to fall into and find comfort in. It’s the type of transparency that could only come from an artist who side hustles teaching high schoolers (Pitchfork in its glory days still has nothing on a teenager giving their honest opinion). The album’s opener alone Ur So Cool immediately details the mentality behind his past life as a shoplifter, buying streams online and how it affected his career, and how hard it can be to compare where you’re at to where others are at (or at least the versions of others you see online).But behind that openness, he puts a lot of power. Because you’re not just going to be relating to what he’s talking about, you’re going to be rocking with how he’s saying it. Always catchy, tailor made for repetition, and prime for anti-pop playlists, it’s fun and accessible songs with an edge to it as well. Gaviota takes this edge to cut back at the difficulties associated with trying to make it as an artist, and just with being a person in their 20s in general, catching assists from Chris Patrick and Gao the Arsonist along the way. Covering everything from not brushing your teeth (to see if the homies are real enough to call you out on your breath), putting girls into Turnstile, and having your plans canceled in favor of Emily Ratajkowski’s divorce party, nothing is off the table for Hadji on this album.Navigating the industry can feel overwhelming, especially starting out without a big team behind you. Artists in this position often find themselves having to play many roles themselves outside of the music like manager, booking agent, publicist, business manager, accountant, content creator, and more. In not being shy about detailing both his wins and his losses along the path as a DIY artist, Gaviota creates a refreshing sense of camaraderie with his lyrics as he essentially tells his listeners, even if you mostly just see his successes online, he’s still going trough many of the same struggles as you. All the while sonically, the album careers through drum & bass, pop punk, rap, indie rock, electronic, R&B, and more. A smorgasbord of influences mixed together and thrown at the wall, leaving behind wallflower.

The Chris Patrick Interview: Reflection leads to a new era envisioned by “THE CALM”

Roo

Roo Nostalgia: Utah’s Rising Voice

Roo

Box Dreams: Whirlwind Personality

Box Dreams

FREE: Detroit, His Way

smilehigh

Smile High's The Vibetape: Crafting Jam-Infused R&B Magic

smilehigh

A Yearly Check-in with seiji oda

seijioda

Izzy Spears: What Is Politically Correct in America?

izzy

ClayDough and Ajai’s “PROLLYSHOULDN’TSTAY” Album Displays Art In Its Purest Form

ClayDough & Ajai

Exploring Zahir's Multifaceted Artistry

Zahir

Jite's Resonance: "flowerboy" Unveils the Heart's Melody

Jite

ClayDough and Ajai’s “PROLLYSHOULDN’TSTAY” Album Displays Art In Its Purest Form

ClayDough & Ajai

Josef Lamercier: The Light at Tunnel’s End

Josef

Behind Wynne’s Captivating Stage Presence and Lyricism

Wynee

Megzz Breaks Through the Noise

megzz

The Chris Patrick Interview: Reflection leads to a new era envisioned by “THE CALM”

Written by Alex Cherry Photographed by Hritwik Chhabra

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Mixtapes were–and still are–a prominent tool of a musician's artistry. The raw nature and canny ability to deliver thoughtful bars on a variety of production needs no co-sign or clearance. It has always been an opportunity for listeners to witness their favorite rappers elevate and express themselves without fear of creative restraint. Legends like Lil Wayne, J Cole and Kendrick Lamar have contributed their success to an era seemingly forgotten where artists released music in abundance. Chris Patrick’s newest offering, THE CALM, is the first installment of a compelling mixtape series and a testament to the continued importance of the musician’s authentic artistic expression.Patrick became a prevalent figure in Jersey’s underground scene with many impressive records, including Before The Summer’s Over, a compilation EP from his CXR collective. His lyrical prowess and songwriting versatility lead him into new conversations, knighting him as a torchbearer for the next generation of rappers. THE CALM continues the thread, fusing the budding star’s personal experiences into an introspective project that listeners are sure to love.NORBU was able to catch up with Chris Patrick to discuss THE CALM, the many topics surrounding the depths of his past year, his friendship with Ben Reilly, his long-term vision and more. Available now is an insight into the mind of one of music’s brightest names.

Cherry: Chris the last time we talked was Before The Summer Was Over. How are you feeling?Chris Patrick: I love the summer but the current weather is calm. I’m happy with the way things are being in Jersey right now.Cherry: I want to congratulate you on the new project. Have you celebrated or do you have plans to?CP: Thank you. You know what’s crazy? I don’t have any plans. It has been a crazy year and I've been celebrating by playing video games with my brother on a nightly basis. I've also been kicking it with my parents and that’s enough for me. I know more wins are on the way so I’m good right now.Cherry: It seems you’re always doing something music-related. Do you ever take time for yourself?CP: I've been having real talks with my homies lately. This is the first time I have been able to give myself a break from “work.” I spent time between Nashville and LA working on most of the tape. I’m always actively working but there's a lot less pressure currently.Cherry: How’s your mental state been since the last time we talked? Do you feel calm?CP: I do feel calm. The first time we talked I was antsy. As I progressed through the year there were so many things happening but I'm in a place of peace. Seeing the love and reactions surrounding [THE CALM] has helped because I know what’s coming next.Cherry: What have you learned about yourself between the time you released X-Files and now?CP: There’s been so much that’s happened in my life since then. THE CALM is the first piece of this whole journey. I had to be honest with myself about what I wanted and who I wanted to be. I want this shit bad and I realized I have to be selfish.

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Cherry: I wanted to talk “NUMB” and “BARCELONA.” You kicked off the project with some heavy-hitting bars. What was the influence behind those first few words?CP: I wasn’t talking about anyone specifically. In my time of reflection, I got tired of hearing people talk about what they wanted to do. It’s from the general space of “If we’re going to do something, let’s do it!” When things hit the fan you’ve got to keep it moving.Cherry: What is your friendship with Ben Reilly like and how would you describe the value he provided to this project?CP: I met Ben at a Kenny Mason show in New York and ended up at a SinceThe80s camp at the end of 2022. I remember being in a recording session with him, being amazed by how cold he was, and I asked him to be a part of the project.
Ben took it to another level and I’m happy he’s on [THE CALM]. That’s really my dawg. I was bumping his music throughout this process. His being the only feature was important to me.
Cherry: Why Atlanta as the city for the Interlude?CP: “ATLANTA INTERLUDE” happened in Atlanta. It was me, Mizz and my homie Marco Plus. I made that skit because it really happened. I was cutting records at a Dreamville session and someone called me while we were in the city. That specific experience taught me a lot.

Cherry: It seems like THE CALM has allowed you to reflect. How did you stay inspired during this process?CP: When I got back to Jersey, my homies sent me the beat to the outro and something clicked. I just knew I had to lock in because I love rap. I felt the fire reignite.Cherry: How did you feel about the project leaking a few days early?CP: I don’t remember where I was when I first heard about it but people were hitting me up saying they weren’t bumping it, reporting the leak, etc. I decided to trust the process because there was nothing I could do at the moment. I’ve grown so much in how I respond to situations.Cherry: Let’s talk about the blog era. What are some of your favorite mixtapes?CP: I’m going to say Section .80 and Dreamchasers 2. When Dreamchasers 2 dropped, me and the homies always bumped it.Cherry: Is there anything you felt could have been done differently during this process?CP: No. We put a lot of time into X-Files but THE CALM…I didn’t overthink at all. I trusted myself and that’s how it became perfect to me.Cherry: You’ve hinted at THE CALM being a part of a series or trilogy. Is that the case for the rest of the year?CP: I’m not going to lie. I have been away for too long and purposely released this early in the year because I know what time it is. We’re already sitting on the next one. The entire “weathering the storm” concept came from my time in Nashville. I know how crazy it is to get and people will see that on the next project.

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Roo Nostalgia: Utah’s Rising Voice

Written by Patu Ong Photographed by Brevin Perkins

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There’s talent in every space. Even if people flock to central music hubs on each coast, there are droves of budding musicians between the crevices. Every artist wants their music to reach a larger audience and possibly establish their home as the next big music scene. It brings us to today’s question: “Who from Utah makes music? And what does it sound like?” If no one is sprinting to be the face of Utah’s hip-hop scene, Roo Nostalgia can take that mantle.From a quick Google and Wikipedia search, no one really reps Utah like that. The Osmonds are a product of several generations past while apparently Mary Elizabeth Winstead (Scott Pilgrim, Death Proof) worked on a single with producer/engineer Thai Long Ly and featured on a Portugal. The Man song. The emerging artists aren’t exactly on our radar (yet), but Roo made his interest and musical gifts known as soon as NORBU launched back in August last year. After releasing a 2019 project, Heaven 37, he took time to re-think his direction and strategy. In 2023, he dropped “Rent Due,” a confectionary love song depicting two destitute souls starring Roo’s real-life partner, Dawn.After catching our attention, I met Roo during his brief stay at a California DoubleTree. Amidst the amber and mahogany-hued lobby, Roo towers over the business casual, wearing a Ralph Lauren windbreaker, lightwashed denim, and white New Balances. We head outside to the hotel pool, where Dawn opens the gate, greets us, and leads us to the lounge chairs for our conversation. The sky was pretty clear, but damn if it wasn’t windy as hell. As we talked, the pool formed mini-waves like an overcast beach afternoon.

From one coast to another, Roo and his whole family are from Liberia. He was born in Monrovia, the capital of Liberia, before moving with his mother to Boise, Idaho, where his dad attended the University of Idaho. He was only a little bit more than a year old before his dad made him VHS mix-tapes of Michael Jackson, Lil Wayne, and Aaliyah videos. It was a surge, slowly building over the years.“I’ve always been super attracted to hip-hop and music in general,” says Roo. Naturally, he found his way into the rap rabbit hole, listening to Kanye, Drake, Kendrick, and J. Cole. He found himself attracted to the songwriting aspect of rap, developing stories and journaling throughout grade school. When his parents couldn’t accommodate his repeated Christmas requests for recording equipment, he spent more time with his older cousin, ZekeUltra, who had a small coat closet studio setup at his house.Music was always the plan. Even with being a Division I Linebacker at Weber State, “[the] goal was to be a world-renowned musician.” Roo channeled his entire life and pent-up emotions into Heaven 37, including mental health struggles, expectations of being a first-generation child, love loss, family dysfunction, and more. The record details his gauntlet of traumas, taking apparent influence from Saba’s CARE FOR ME. As much as it was his music, life, and writing, there was still room for growth and healing.

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Between Heaven 37 and “Rent Due,” there’s a four-year gap. Roo released music during that gap and scrubbed it, doubted himself, and felt unfulfilled by the fact his deeply personal work went largely unnoticed. “Rent Due” was the rebrand. Smoother, higher vocal ability, and more self-assured. What changed?“It really happened with her,” Roo said, looking to Dawn who’s been silently observing and trying to keep warm. They started dating at the top of 2022 and with that, really worked out the kinks of his knotted interior while re-positioning him as someone who moves at his own pace. Dawn, a skilled musician in her own right, retains her independence and avoids being that “music couple.” However, Roo asked her help in fleshing out the concept of “Rent Due.” She verse clocks in a little bit over 30 seconds, but she steals the show–and Roo would agree.When 2024 arrived, Roo dropped House Pack, repacking “Rent Due” with two more singles, “Moment” and “At All.” “Moment” takes the rapping up a level from 2019 Roo while maintaining the growth and polish he’s acquired over the years. He’s barring out over a jazzy beat with chords similar to Ronnie Foster’s “Mystic Brew” legendary baseline.

“At All” is an interesting case. Roo started the song in 2019 by writing the first two lines (You know just what you doing? /Who do you think you fooling?) and didn’t write anything else for five years. That pair of lines, a possible self-reflection, became a time capsule to finish half a decade later when Roo couldn’t be more self-assured of his artistry, outlook, and happiness. It’s the ultimate reason to spin the block, assign words new meaning, and lastly, film a music video in downtown Salt Lake City. The video (shot by Marcus G. Chase) pairs nicely with the track and perfectly exudes the “Nostalgia” aspect of Roo.At this point, our teeth started chattering, our Q&A responses grew shorter, and the previously stagnant water started actively splashing out of the pool. We wrapped it up, took a flick, and returned to the lobby. Before splitting, Dawn and Roo asked me about the possibility of living in Los Angeles. It’s pricey but largely worth it for music purposes.

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So maybe Roo isn’t the face of Utah. Maybe in a year or two, he and Dawn will move out to Los Angeles like the many transplants before them. He has the makings of a great artist with a seamless sound and stylistic versatility. But for now, Roo represents Utah by default. He has my vote.A little birdie even told NORBU that he might drop a song with NORBU alum Claydough sometime soon. Keep an eye out and an ear open.

Box Dreams: Whirlwind Personality

Written by Patu Ong Photographed by Justin Lee

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From left to right: Kevin Litman-Navarro, Brett Fuller, Adam Rhodes, Shane Sato, Avi Durchfort

Maybe it’s an old-head mentality, but music seems more like a pathway than an art form lately. Everyone wants to direct mid-budget movies, plan corporate-sponsored pop-up events, or partner with a fast-food chain for a limited-time meal. There is clear optimism in thinking that in this world, full of creatives and multi-disciplinaries, there are musicians who just make good ass music. Psych-rock band Box Dreams may not be shooting Target ads endorsing their newest High Noon flavor, but their debut album Gradients accomplishes what needs to be done: making music for the sake of making music (and having fun while doing so).

Musician and Box Drummer Shane Sato kindly reached out to Norbu, requesting coverage and the possibility of an in-person interview at their Jefferson Park studio. They released five singles (of the nine album tracks), providing ample material for a first impression. Each subsequent single responds in a different emotion; “Hang On” is defined by its jazzy-pop tone, “River” provokes loneliness and longing, and “Impressions” conjures a wistful wonder. Even if the listener can’t quite pick out everything frontman Adam Rhodes is saying, his melodies express emotion clearly and bend along with the instrumentation like a curved on-ramp joining the through lanes. The drive over had a little bit more verve than the usual trek down LaCienega.

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Those unfamiliar with psych rock might hear Gradients and imagine the outfit in the corners skulking and brooding, only recording the more uptempo songs because their crossover ambitions forced their hands. Modern rock connotations usually lie in one of three fields: uppity douchebags (that may or may not consume raw meat onstage), apathetic art snobs who don’t care about self-promotion, or Imagine Dragons-esque rock for bros and Republicans. Box Dreams were just guys being dudes, evoking the sort of friendly, genuine camaraderie expected only from childhood friends who see each other once every five years.Walking into Box Dreams’ studio setup felt like walking into the nicest fraternity on campus. It took 30 seconds upon entry before someone offered me something to drink while another member was toying around with the TV to turn on the Rose Bowl Championship game. A painting that doubles as the Gradients’ album art hangs from the studio’s ceiling, drawing my eyes even though I’m meeting everybody at once.

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Box Dreams has five members: Adam, Avi, Shane, Brett, and Kevin. Adam Rhodes (guitar, vocals or “breath”) started the project in 2014 and recorded a song with Shane pre-pandemic, who both slowly recruited members, completing the ensemble in 2021. Adam and Shane’s natural charisma and pension for jamming with strangers allowed access to Avi Durchfort (lead guitar), Brett Fuller (bass guitar), and Kevin Litman-Navarro (keyboard, saxophone). They coalesced in September 2021 and booked a couple of shows in December to test the waters.“If that show went well, we’d stay a band. And if it didn’t, we were probably gonna split. That’s how I felt,” said Shane. Everyone kind looked wide-eyed with this newfound information before busting out laughing.

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Three years later, the band has a grasp on their on-stage chemistry and is developing their recording identity. At formation, Box Dreams would record live versions of songs that Adam had written. Newer material required more input from other members, allowing them to write their individual instrumentation or the space to collaborate on a song as a unit. It’s not without its growing pains but makes for a better overall product.“This is a band that has five very capable cooks, all working on the same dish,” said Avi.Box Dreams has quibbled about everything: from song sequencing, to which cover songs to perform at their shows, to “tack[ing] on parts at the last possible second.” Patience, attention to detail, and striving for a great debut as a band, do pay off.

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Gradients is a dish that has simmered for two years, absorbing all the spices and rendering all the fat. The record is impeccably clean and professional, a rare feat for a band that’s this new. Credit is given to Box Dreams for their diligence, and some to Thomas Rojo, their producer/engineer, who had helped them “get their sound a little bit more polished.”“I've enjoyed this process because working with a bunch of guys with a bunch of different opinions would usually be a catastrophic event of drastic proportions,” said Thomas.In the simplest of phrasing, the album keeps interest. No two songs sound alike enough to make one expendable, and no single song feels too left-field. It can transcend from a meandering mystery, spiral into a frenzy and arrive back into an organized arrangement. A welcome disarray that feels refreshing and distinguished.

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I asked each member what was the most difficult part of making this album and received a variety of answers, but none of it feels apparent here. All that remains is the work that’s been done and the allure of what’s to come next.I previously made a big stink about the music just being the music but Box Dreams both has the talent to make it as far as they’d like to and the personality to stay relevant outside of music. The conversation gradually became more deliberate the more we talked about the art, but the goofiness resumed as soon as I stopped recording. Before long, I announced I was leaving the studio, and without fail, Adam offered me a swig of cognac before walking out the door. Of course I took it, no commercial endorsement necessary.

FREE: Detroit, His Way

Written by Patu Ong Photographed by Khalil Copeland

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Plenty of artists know they are destined for music from the day they first pick up an instrument or perform karaoke in front of their family. Plenty of artists that mess around in their parent’s garage on a dusty guitar and pursue their purpose without any fallback. Not to discredit that, but there are also plenty of artists who seek music after realizing everything else isn’t as satisfying. The road less traveled is still a road nonetheless. Though both paths have merit, sometimes the rollercoaster with more peaks and valleys feels more invigorating.“This is a collection of demos and should be consumed as such” prominently displays on FREE’s Instagram page. It’s more modest than tongue-in-cheek, but the “dark R&B” artist sounds invested in his sound brewing since 2015. Still a work-in-progress, but raw in its own right. The project weaves moody, sensual instrumentation with lyrics and melodies fitting right into early OVO Sounds. The concluding track, “PILGRIM,” is its finest example: a dirty mackin’ anthem that will make listeners chortle and shake their heads, but can’t deny singing its chorus.To know more about FREE and his journey into music, read his interview with NORBU below.

Patu: Hey FREE, thanks for joining. What initially grabbed me was your “Fine By Me” visual. Can you tell me a little bit about that?FREE: We shot that visual in 2021 near the Ambassador Bridge, which takes you from Detroit to Windsor, Canada. We received this tornado warning before my girlfriend–the visual’s lead–showed up. She was running late and decided to shoot some B-roll at dusk. By the time she got there, the tornado warning was on high alert. We decided to get some shots in and if we got caught in the rain, we’ll figure it out.Moments later, we look back to see a curtain of wind and rain hurling towards us. I picked her up, ran to the car, took her to her car, and ran to grab the rented equipment. My boy Choice tried to grab one of the lights and almost got blown to Canada. My other homeboy actually ended up flooding his engine.Patu: Dang, starting your first video off with a bang. Makes sense that the whole visual is so dark and moody. That was real.

FREE: You can see that in the project trailer. There are some shots where you see lightning in the sky. It’s not After Effects. That’s natural light.Patu: Not to mention the song is pretty good too.FREE: Thank you. My current pursuit of music is very focused on world-building. The Weeknd is really great at that. My sound is more PARTYNEXTDOOR, Weeknd-inspired. There are other influences, but I try to give people the closest comparison.Patu: Who else?FREE: Michael Jackson is a major influence. Growing up in Detroit, I got into so many different electronic bands and groups…I’ll leave my Spotify on and I might sample something. Electronic music and techno music are deep in Detroit’s roots. Like JMSN, he does a lot of electronic R&B-type stuff. I’m all about blending genres.Patu: I see that. Speaking of Detroit, can you tell me a little bit about you and your background?FREE: Growing up, my mom and godmother introduced me to Jodeci, Boys II Men, male and female R&B. My government name is DeVante after Jodeci’s Devante Swing. I didn’t start making music until I was 15, didn’t record a song until I was 18, and went to college for graphic design. Being from Detroit, I didn’t know you could become a recording artist because all we had was Eminem. Even now, Detroit artists are just starting to become mainstream.Patu: People love referencing Danny Brown too.FREE: He was there during this cool underground scene. Dej Loaf too. That’s where a lot of Detroit people started to find their voices. I tried that for myself before moving to Chicago. I lived in the Chicago/Indiana area from 2012–when Chief Keef blew up–to about 2016, moved back to Detroit, did some time in Los Angeles musically, and now I’m here in Atlanta. As far as me getting into music, I started pretty late.Patu: How did you transition into working in music?FREE: I did a lot of songwriting. I won’t name them, but I was working with somebody and some of the dark alternative R&B sound I was going into was getting appropriated. I didn’t have the business mindset and I had my first kid so I kind of stopped pursuing it publicly. I planned to pivot from being a rapper and rebrand into this darker direction and sound.

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Patu: So you’ve been working and plotting this move out for a while?FREE: Exactly, me and my creative team, Otherworldly Just Visiting (OWJV), shot those visuals two years ago. I envisioned this project to be a collection of interludes I’ve made in the last couple of years and then go further. Having my youngest daughter also pushed me to finally put my music out.Patu: Is OWJV your video team?FREE: We’re a collective of artists and we all help co-write for each other. Ashton Woods, Worst Choice, Jx, we all help each other out. The name alludes to us being “others” in Detroit. People wouldn’t necessarily associate how we dress, how we act, the type of music that we listen to and make with the city of Detroit.Patu: What else can you tell me about FINExME?FREE: All of these songs sound like they belong even though they were made over the course of five years. There’s some drill influence, samples from Jagged Edge, Toni Braxton, and some retro anime. It kind of narrates my life as it pertains to my current relationship with glimpses of past experiences throughout even though you can’t tell from the actual subject matter, I can directly attribute the birth of my youngest daughter to my decision to put this out.Patu: And of course, we have to talk about “PILGRIM.”FREE: In 2020, I was tweeting about a chick–or a couple of chicks–before my current relationship. I said that chicks are pilgrims because the first thing they do is settle laughs. Choice and I heard “Still Your Best” by Giveon and he had to sample it. A lot of dudes are gonna like that one.Patu: It’s definitely Instagram caption material.FREE: It’s a spiteful chant. It’s the last song and it kind of caps off the project, leading into where I want to take the next project.
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Smile High's The Vibetape: Crafting Jam-Infused R&B Magic

Written by Brian Harrington Photographed by Alex Gonzalez

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There’s plenty for LA artist Smile High to be smiling about right now, which doesn’t really matter since he’d be smiling regardless. The veteran keyboardist, producer, and engineer’s reputation precedes him, earning his name based on his “resting smile face.” His latest smiles stem from the release of his newest project, The Vibetape, in collaboration with The Main Squeeze, in which he plays keys. On these ten tracks, Ben “Smiley” Silverstein was able to not only flex his chops as a keyboardist but as a producer and A&R as well.Though this isn’t his first project under his own name and far from his first working with The Main Squeeze, it does feel like the project his whole career has been leading up to. Jams and collaboration were always a staple for The Main Squeeze, the five-person band Smiley co-founded while attending Indiana University, and that’s only increased since relocating to Los Angeles.“We’ve been doing the jam sessions for like six years. It’s always been a thing since we moved to LA,” Smiley told me over Zoom. The Vibetape, released November 24th 2023, is an aptly named attempt to try and capture the good vibes of those jam sessions onto tape. “The inspiration you got from those jams kept you going for months afterward, and the word spread around LA.”Created to be a direct contrast to a typical LA studio session that “usually has a little bit of pressure behind it,” the Squeeze house jam sessions always made a focal point out of “the spirit of collaboration.” With less focus on making the suits happy, artists would find themselves feeling more free to express themselves and experiment.“The spirit behind this album was inviting our friends into the space to create in a low-pressure environment.” The stakes were so low at earlier sessions that they didn’t even hit record. It created an atmosphere that attracted the best people and the best artists. “I think the most high-caliber musicians in LA are coming to these jams.” Some of those musicians included features from Felly, Cocoa Sarai, Chuck Inglish, Abhi The Nomad, and others.The initial push to record these jams and turn them into a full-length project came from an unexpected source: the advice of a neighbor. It helps to realize that you’re neighbors with 3-time Grammy-nominated R&B singer/rapper 6LACK.

“One of the first people that [planted] the seed to make it an album was our friend 6LACK. He was our old neighbor at our first house in LA when we were doing these jam sessions. He would hear the band jamming in the backyard and we didn’t know he was our neighbor.”After eventually meeting and starting to jam together, 6LACK found himself fixating on some of the material they made during a particular jam session at his house. The Atlanta artist kept texting Smiley, reminding him to release the music and urging him to “make an album with this vibe.” Once the idea was set in stone, the frequency of the jam sessions increased.“Those were like 6-7 hour jams that would usually start at 9 pm until 1-2 in the morning, and I would record them just to see if anything magical happened, which it usually did.”The Vibetape also saw a major shift in contribution from Smiley, and what distinguished this project from being a Main Squeeze album, is the inclusion of “another producer that kind of helps be the sixth person of the team to make decisions.” For example, producer, bassist, and former American Idol judge Randy Jackson served the role of producing the band’s second album, Mind Your Head, in 2015. For this sixth album, Smiley was ready to take on the role himself.“For this specific album, I was that. I had the vision for how to finish it, I knew that I could do it and I was up for the challenge.” As The Main Squeeze started shifting more towards rock and soul music, they knew Smiley was the one they could trust to see these R&B jams to the finish line.“It was in my wheelhouse genre-wise so I told the band it would be great if I could have final hands on this album and finish it, and everyone was down. I just took it upon myself to ask all the features to be part of it, project manage it, and take it to the finish line. When it was all said and done, it ended up sounding closer to a Smile High album than it did a Main Squeeze album, mostly because of the heavy R&B soulful influence.”

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Smiley wore plenty of new hats to embody the driving force behind this project. He completed paperwork, wrote contracts, and emailed artists, managers, and label reps to be featured on the album.Everyone’s contributions came together to create this fantastic collection of jam-band R&B that Smiley saw through from start to finish. His role as producer allowed him to play one of his favorite instruments after keys: the computer.“One of my favorite instruments is just being behind the computer while a dope instrumental plays, and just taking my favorite parts and fitting that into a song.” Curating a group of talented musicians into a room to jam for hours is one thing, but it takes a whole other skillset to be able to then go back and try to make sense of an hours-long jam session. Thankfully, Smiley is skilled at that too.“A lot of [the songs] came from the jam sessions themselves so that was literally just me sifting through six hours of jams. A lot of the time, I would take a video of my favorite moments just to bookmark it in my head, and then from there I would go back into Ableton and look through the seven hours for those favorite moments and take a twenty-minute jam, and somehow put it together to make it a four-minute song.”Though it proved to be tedious, Smiley is more than happy with the results. “It was a wild process, but it led to some really cool songs.”Be on the lookout in the future for Vol. 2, which Smiley says has “gotta happen.” If he had to change one thing, he would “hire someone to help with the contracts and the paperwork.”

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A Yearly Check-in with
seiji oda

Written by Patu Ong Photographed by Mariela Isabel

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A good remix is difficult to hate. My sometimes pessimistic brain shrugs at the idea of sped-up/slowed-down versions of songs more than a lazy deluxe album, but seiji oda’s AERO series hits that sweet spot of reinvention and echoing a great idea. There’s something to be said about not fixing something that isn’t broken, but there’s also the possibility of tweaking the recipe to reflect your evolved state as an artist.“aero4ever!” is the fourth iteration of AERO, oda’s most defining song. It delivers similar characteristics from previous entries while adding a new chorus and a guest verse from his brother lil ricefield. oda feels way more grounded and attuned to nature, sprinkling in jungle ambient sounds before the new instrumental outro hurls pitched and sped-up vocals when the listener least expects it. It orients the song in a crisper and mobile direction that mirrors oda’s development as a producer, vocalist, and artist.seiji oda joined NORBU to talk AERO, holiday plans, and 2024. Read ahead to learn more.Patu: I think we first met in September. What’s been going on since?seiji oda: I was rolling out CITY POP. That was the end of summer so everyone was high-energy. Right now, I’m much more in a reflective mood and trying to aggressively do nothing.Patu: What do you have planned for New Year’s?seiji oda: I will be on this meditation retreat at Twentynine Palms. My friend and I went to one at the beginning of last year. We’ll be meditating, making and serving food, and setting up the center for others doing their retreat. I just wanted to return and give back since it’s a free program.Patu: Is this going to be a yearly tradition for you?seiji oda: I did the full retreat in February last year. It was my first time and I did two in Japan when I was out there. Hopefully, this could be the beginning of a yearly tradition.Patu: From one tradition to another, let’s talk about aero. Besides it being your most popular song, what makes you want to return to the instrumental and melodies?seiji oda: That was the first song I made that defined the sound, “lo-fi hyphy.” I get to revisit that first time, mix it with whatever newer things I’m working on and remix my foundation. I also use it as a self-check-in to see how I’m feeling and where I’m at.

Patu: How are you feeling? Sounds like you’re reflecting on the year you’ve had.seiji oda: I’m feeling hella open. Way more alive and aware of who I am and shit. For most of my life, I’ve been a very logical, control-oriented, and linear-minded person. I still see that as a strength of mine, but I’ve been more “Yo, it’s cool to let go of that, let it be, and let it fucking fall apart.”I’m also focusing on people being the most important thing. I had this mindset of working and grinding if I want be successful and happy. I still want to work hard, but I think I did that at the expense of being a good person, friend, son, and family member. You can be raw as fuck, but if you’re not a good person and doing right by the people around you, then what the fuck is the point? You’re just going to end up a millionaire with no friends and no purpose.Patu: I think that says a lot about “aero4ever!” too because I felt like this was the biggest departure. Instead of changing the keys or adding another element, there’s a whole outro, guest verse, and a beat switch. It kind of signals how far you’ve come since four years ago.seiji oda: Damn. It’s been damn near every year–I didn’t even plan that out.

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Patu: What’s the process for that? Do you go back to all of the songs and decide what you can change? How do you make it feel fresh and retain some of those key elements?seiji oda: When I made “aero4ever!,” I didn’t even listen to the other versions. I tried a whole different beat for Aero 4 before, but I think I was trying to force it. I just went back to randomly making shit and didn’t question how to make another aero, making it different, and how to build off the previous one. I’m sure I subconsciously had those thoughts, but it turned out exactly how I wanted it.That’s how “aero three³” felt like for me. I definitely listened to the last ones because I needed to make this one greater and better. This one was more natural.Patu: At what point do you decide you want to bring your brother in?seiji oda: The song had an open verse from the jump. I wasn’t necessarily planning on it being him, but he was the first person I thought of. I was reflecting on our time together in Japan, where I started making the beat. I wanted him to give his take on it and he achieved the same feeling I was trying to get across.I originally thought since it was aero4 and Jordan Ward had done FORWARD, it’d make sense. But I’m glad this worked out because it feels a lot closer to home with my brother.Patu: There’s always next year.seiji oda: I think I’m going to be making aero’s until forever, you know? It might not be every year but I want to make an aero 80.

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Patu: Can you talk a little bit about aero and its significance?seiji oda: Originally, it was Aeropuerto and then it became its own thing. When I was in Chile [writing AERO], I was talking about “now these police double check when I’m at the airport.” The song feels like air and the sky. The cover art of it always depicts the sky.Most of them were songs I made away from home while I was traveling. I made [AERO] in Argentina and Chile. “aero three³” was made in Mexico. “aero4ever!” was made in Japan. “aero2” was made in Los Angeles, which makes sense because my friend Sai made an “AERO/seiji oda type-beat” on YouTube.Patu: How do you go about performing it live?seiji oda: I have a live version of it. I had to tune the song down to 432 Hz, which is the frequency of the universe. One and three are like that, and two and four are detuned. So if I’m performing one or three, I tune it back to normal speed.

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Patu: When can we look forward to seeing that next?seiji oda: I’m putting together a tour for Spring 2024. We’re gonna do shows up and down the coast–California, Washington, Seattle, to Vancouver, hopefully.Patu: Is there something on the horizon I should know about?seiji oda: “river people ~” and “home…” are going towards a project called human + nature. That project is coming.Patu: Besides the album and tour, what else are you looking forward to in 2024?seiji oda: Rice is moving to Japan. I’m excited to have him out there. “aero4ever!” comes out on the fourth and I think he gets to Japan the same day. We also made this song in Japan, so it’s kind of crazy. I’ll probably go back around March, the same time we were out there, to see the cherry blossoms. I love it out there.

Izzy Spears: What Is Politically Correct in America?

Written by Patu Ong Photographed by Hendrik Schneider

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The biggest pushback about music in America is that it seems so…clean. Everything is communicated through a filter of a dozen yes-men, leaving audiences to see only the finished product after a game of telephone. If you strip away all the character from music, is it worth the polish? Izzy Spears’ music can be described as a blend of punk, grunge, rap and alternative. Whatever genre you label it, it’s palpably provocative.After touring twice with experimental rock enigma Yves Tumor and releasing 2022 EP MONSTAR, Spears plans to rub people the wrong way again with M * A * D (Miss American Dream). With a black, gay, non-conformist rockstar who refers to himself as a f*ggot and names a song “Shock Therapy,” he’s bound to make some waves. Why polish something enough for people to accept you when you can apply friction and shine like wildfire?NORBU is pleased to host such an unpredictable figure like Izzy Spears to talk about M * A * D (and some other things).

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Patu: How are you feeling ahead of release?Izzy Spears: I feel great. It feels like it’s a little rushed because I was touring but I’ve had these songs for so long.Patu: How was touring this time around?Izzy Spears: Touring was great. The shows were bigger, the sounds were better. I have a better understanding of how I want to proceed onstage.Patu: I know you’ve toured with Yves Tumor before. Does it still take some getting used to?Izzy Spears: Not really. I know how to remove myself and remember that he’s human. Plus we’ve been friends for so long, so I never gave him that fan reaction.Patu: Have you ever been starstruck?Izzy Spears: I’ve only really been starstruck around Lauryn Hill and Andre 3000. I’ve met Frank Ocean and Jane Olivor and A$AP Rocky, so I haven’t really been starstruck much. And if I have, I’m definitely not gonna let you see it.Patu: Is there a story behind Frank following you on Instagram?Izzy Spears: I signed an NDA, so there’s nothing I can talk about there.Patu: When did you challenge the idea of the American dream?Izzy Spears: It was just MAD at first. The themes just come from us being in a shitty place in the world, blah blah blah, bullshit. But you know, I was listening to Britney [Spears] and singing “I’m Miss American Dream since I was…” like that. And I love abbreviating things, so it just clicked right away.Patu: Before M * A *D was released, we heard “Serena” and “New Normal.” What makes “Blind Leading the Blind” a great intro?Izzy Spears: It’s very alluring. Also very different from the rest of the music I’ve been doing and what people expect of me. It’s the newest song that I’ve made and it was all freestyled. I wanted it to be the first thing that represents me on this particular project because the sound is more of the direction I’m headed toward.

Patu: Is there a specific place you write songs?Izzy Spears: Normally, in a moving vehicle. I don’t know why, it just gets me into writing. Ever since I was a kid riding a school bus, that was pretty much the vibe.Patu: How did you and Duskdriven figure out the production and instrumentation for M * A * D?Izzy Spears: I think it always starts with a bassline. Bazzi (Duskdriven) just comes in and we either have a reference or he starts playing bass before I conduct where he goes from there. He’s the pro, so he knows what he’s doing. It’s not super formulaic though, sometimes we just go in and be on some shit.Patu: I feel like you’re selling yourself short.Izzy Spears: Well it starts with bass–and I’m learning to play it, but he’ll come in with the bassline and I’ll always conduct. It’s just that I don’t know my scales or the technical stuff so it’s sometimes difficult to explain. He’s able to translate my thoughts into music.Patu: Is there a reason why you specifically wanted to pick up the bass?Izzy Spears: So Shanti–I’m sorry I can’t keep on saying Yves–he has a studio and we go play musical chairs. Everybody has instruments: drums, bass, guitar, keys, whatever. We go in, move around, and jam on a song. I don’t play any instruments, so I was nervous coming into it. But when I picked up the bass, that was just the one.Patu: When was the first time you were naked in public? Was it those House of Lotus parties you threw back in Atlanta?Izzy Spears: Oh shit, how do you know about that? Umm yeah, around that time for sure.Patu: How long did it take for you to be comfortable in that space?Izzy Spears: In that era, I was going through a breakup situation with my ex who’d always comment “That’s weird” or “You’re dressed weird” or whatever. Once we broke up, Izzy came alive and I started doing photos with Pierre Pastel. He had this idea but he said I had to be naked for it. It wasn’t even a thought.

Patu: I know it’s relatively early, but what else do you want to accomplish in your career?Izzy Spears: I definitely want to do film. I already do creative direction but more world-building for other artists. I want to get more into producing and playing instruments. Things outside of entertainment too.Patu: Like what?Izzy Spears: Build homes. Make art in the form of a home or a landscape. Architecture. I just want to be able to use everything I have.Patu: Do you think America will be ready for a pop star with the music and aesthetic that you project?Izzy Spears: We had Marilyn Manson, Prince, David Bowie. It’s about time we get back to embracing some freak.

Jite's Resonance: "Flowerboy" Unveils the Heart's Melody

Written by Tenzin Dekyi Photographed by Alex Gonzalez

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IN THE SYMPHONY OF CREATIVITY Jite graces us anew, presenting her second offering, "flowerboy," across streaming realms. Following the serenade of her debut, "isolation," this 23-year-old LA native orchestrates a creation of the expression and exploration of a multitude of emotions. Within the verses, Jite's raw vulnerability unfurls, weaving a tale of uncertainty and the sanctuary found in the first bloom of love. A sunlit track, it mirrors the warmth of autumn drives, capturing the essence of perfect days spent simply, in the cocoon of companionship."I wrote this song about how sunny, safe, and warm it feels to be in love with this boy. My idea of a perfect day is any day I get to spend with him regardless of what we do. Just simply sitting passenger side in his car, listening to music, holding his arm, and feeling the air through the windows makes me the happiest and most at peace. The title has a bit of a double meaning. I jokingly started to call him "my flowerboy" because to me he feels like Tyler the Creator's flower boy album personified, but it's also me saying he is my little flower (literally) because the way we met fell like the equivalent of talking a walk on a random day, unexpectedly finding a single flower on the ground, and picking it. I was scared to start writing songs about love because nothing is promised. This song speaks to the idea of fully surrendering yourself to somebody, regardless of that uncertainty." - Jite

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The title, "flowerboy," conceals a poetic duality. A nod to Tyler the Creator's album, yet an intimate revelation—her love, a delicate bloom plucked from life's garden. It echoes the chance encounter, akin to discovering a lone flower on a whimsical walk, a metaphor for the serendipity of their meeting. The display of Jite’s intrinsic ability to successfully manifest feeling and emotion directly into art is apparent when she shares the inspiration behind this single.Jite, a luminary rising from the world of socials and surpassing 100k followers on her spam Instagram account, she has then branched into YouTube, adorned in threads of fashion, comedy, and soul-stirring melodies. A creative alchemist, she steps into the musical booth with newfound purpose. In the crucible of self-discovery, Jite draws inspiration from Solange, Aaliyah, Sade, and Kali Uchis, shaping a unique soundscape. Her journey, a testament to surrendering to love's mystery, beckons us into the heart's sacred terrain. As she cultivates her own musical tapestry, Jite promises a melody that resonates—a timeless symphony echoing the genuine and heartfelt echoes of her soul.

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Exploring Zahir's Multifaceted Artistry

Written by Tenzin Dekyi Photographed by Courtland Myles

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IN THE BUSTLING REALM where visuals meet melody, 21-year-old DC native Zahir emerges as a multi-hyphenate virtuoso. Initially recognized for directing captivating narratives for major companies, Zahir seamlessly blends his musical roots in piano, trumpet, and percussion into his creative repertoire. Influenced by luminaries including IDK and Joey Bada$$, Zahir's debut single “Unusual" unfolds as an R&B/Alt Hip Hop masterpiece, featuring the soulful collaboration with Phoenix James and Wiseboy Jeremy. This sonic gem not only found a spot on COLORS' Weekly Releases but also garnered high praise from the acclaimed duo EARTHGANG. Zahir's directorial prowess shines in the visual experience for “Unusual,” earning accolades from industry heavyweights like Saba and IDK. As the lead single from his debut EP, Chaos St., "Unusual" sets the stage for Zahir's foray into a musical narrative that promises to captivate and resonate within the vibrant corridors of the creative community.Tenzin Dekyi: How does it feel now that Chaos St. is out?Zahir: It’s been great. It's like having a baby. It's been wonderful to be able to express myself so succinctly in the forms of both art and film and combine them in a very nice way. And it's been very therapeutic as well. I'm talking about very real stuff so to have the support of the community that embraces it all really has been amazing. And then of course just the opportunity that I've gotten to meet people and talk to a lot of my favorite artists and companies is just really nice and really humbling so I'm trying to enjoy every part of the experience.Tenzin Dekyi: That's amazing. I feel like that’s a really cool place to be in.Zahir: It's just very fun and very humbling to be recognized. I'm like a learner at the end of the day. I just love learning, meeting people, and allowing that to navigate me to the places I know.Tenzin Dekyi: What was your creative process or the inspiration behind the EP?Zahir: The process is pretty interesting. I wrote the verse for "Unusual" and I went to rap it and it sounded horrible. There was this weird disconnect between how my brain knows it should sound versus how it's coming out of my mouth. It was very humbling too because music is one of those things. It's like painting when you look at it, it looks so easy but it's actually very difficult. So for the next six months from October to March. I just studied my favorite artists' live performances. I was just studying a lot of their voice inflections and stuff and my favorite rapper is Saba. So just studying a lot of his stuff and how he was able to manipulate his voice. I rapped the “Unusual” verse for six months straight until I got to a point where I felt it was suitable. It was around March and then I had Phoenix James and Wiseboy Jeremy who are both really good friends of mine get on it and it clicked. By then I had a vision, so we did the video and Chaos St. developed from that.

Tenzin Dekyi: One thing that's unique about you is the fact that you are a director. How has it been marrying the two different creative processes and what is your creative process?Zahir: For me, I've always looked at art very holistically, so I try not to separate them too much. I think maybe the processes are different but the beams are thematic. I'm looking for similar things that can be expressed visually or sonically depending on how you choose to do it. I don't try to separate them. As far as marrying them, It's been a really easy process actually because it's all about presentation whether it be musically or visually; people always remark to me about the presentation of my work, how presentation enhances both aspects of it. So sometimes people will find me through the video and then listen to the video be like, wow, the music is fire or vice versa. When it comes to directing, my process with it is very similar to how I make music. I just sit and think about what ideas are coming to my brain. What do I want to write about? What color am I seeing? What is the temperature? Is it a hot red or is it a dark red? So a lot of times I go off of those instinctual feelings and it hasn't been wrong yet.Tenzin Dekyi: You were recently a part of IDK’s “No Label Academy.” What was that experience like?Zahir: The best thing ever in the world ever. I don't even know how to explain how it pushed me to be the best artist I could be. For all of the days that I was there, it made me have to dig deep within myself. The very first day [IDK] made us write on a whiteboard. He made us write where we wanted to be in ten years. Where did we see ourselves? He wanted someone to come to the front of the class and share what they wrote. I like speaking in front of people so I volunteered, and I started reading off of the board. I'm like, I want to be a director. I want to be a visual translator. I want to be a musician. I want a better vision. He said “Stop. Excuse my language but make me feel that sh*t.” That set the tone from the first day. It was truly an amazing experience. IDK broke us down to the base level and built us back up. And by the end of the week I met Saba on the second to last day. It was a very emotional moment for me. We talked for an hour and he was like “I have seen your video before. I just didn't know it was your “Unusual” video. It was really fire.” Then he said he followed me to keep up with me and my work.Tenzin Dekyi: Wow, that's crazy.Zahir: It was crazy. But it goes to show you how people really are watching whether you believe it or not. They just might not know who you are personally, but they see you on social media and they see your work. To me that was kind of like the crown jewel of the week.

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Tenzin Dekyi: It looks like growing up you played a variety of instruments, do you still produce or play a major role in the production of your music?Zahir Muhammad: Definitely. Every single beat that comes through, either I write music to go over top of it or I take something away from it and fill it. I’m kind of always like, “take this out or add this piano here, let's add a bridge there or take the drums out here.” I definitely do credit it to my musical years that were developed by playing all those instruments. I know how I want things to sound and I look at it very holistically. So the beat is just as important as the vocals which is just as important as the video and that is because it all comes together as the presentation.Tenzin Dekyi: I feel like you are the epitome of someone who touches every aspect of art and that’s so cool because now you have a million different ways to express it.

Tenzin Dekyi: Who are some of your biggest musical influences or just creative influences in general?Zahir Muhammad: Initially I'm going to say Saba and Tyler The Creator. Smino, No Name. And as of late, it's been a lot of Bobby, IDK, and Jordan Ward. I say that because I've been able to meet all of them and work with them. It's an emotional thing now. One thing that I find very cool is that the more emotionally attached I get to something or someone, the more impactful they become in my life. Lastly, I would say my friends too. I feel like my friends are the most talented people ever in my opinion, each in their own ways. And I'm learning so much from them every day and really look up to them too.Tenzin Dekyi: I think it's fair to say the DMV music scene is crazy right now, and it probably has been for a while. But I especially feel the rising scene is brewing with talent. Who are some of your favorite up and coming artists from the DMV area?Zahir Muhammad: Yeah, my hometown has so much talent, it's so great to see. One of my best friend's, his name is Ezy. He actually made it to “No Label Academy” with me and he's one of the craziest MCs I know. He was actually so good at NLA, he got chosen to be IDK’s opener for the Boston tour stop. He's definitely someone I want to shout out. I got a few others like Armani Jordan, I really like his work.

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Tenzin Dekyi: Last question, what can fans look forward to in the future? What can we expect?Zahir Muhammad: I look at Chaos St. like a saga. This isn't just a one-off thing. So I have a project coming out centered around that similar to how Chaos St. is centered around "Unusual." We're gonna drop a video for every song and then I'm dropping an LP. I also have a lot of work with some major artists coming out as well so I'm looking forward to that too. I think it's all gonna work very well together and continue to create this presentation of my art and how I feel it in a very cohesive and striking way both visually and sonically.Tenzin Dekyi: One last question, do you see yourself directing for other artists?Zahir Muhammad: I don't want to spoil too much, but yes, yes. I have to see myself fitting in within the vision of the presentation. I want to maintain my authentic self-expression within someone else's world and work. So some cool stuff is coming out in that area as well.Tenzin Dekyi: There's so much strength in that.Zahir Muhammad: At the end of a lot of interviews people will be like, “is there anything that you wanted to say?”Tenzin Dekyi: Yeah.Zahir Muhammad: I want to say one thing a lot of people have been asking about; shows. This is part of my presentation and how I want people to feel with my art. I really don't plan on doing a lot of shows. That doesn’t mean I don't plan on doing any shows, I just don’t plan on doing a lot. The reason for that is because I want every show to be like a “you had to be there” experience. I want it to be a combination of the best visuals ever coupled with a very emotional show. I myself want to cry every show. I want it to be a very selective experience.

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Josef Lamercier: The Light at Tunnel’s End

Written by Patu Ong Photographed by Tenzin Dekyi

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A MAJORITY OF PEOPLE — are going through tough times. Every lifetime possesses peaks and valleys, but some treks up the summit face Sisyphean burdens. Most escapes to social media nowadays don’t offer much solace and can even inflict further heartache. No matter how bad it gets, cathartic self-expression can be the first step toward self-healing. On “Pray On It,” NOLA–born songwriter and R&B artist Josef Lamercier laces up, approaches the base of the mountain, and begins his ascension to brighter days and clearer views.Fresh off a performance at Bardot’s School Night event, Lamercier and producer Niko Oroc invited me to Slow Jamz gallery in Los Angeles’ Art District. Oroc, who partially owns the half art gallery, half event space, welcomed me into the stark-white setting adorned with portraits of iconic R&B and hip-hop artists. The eyes of MF Doom, Lauryn Hill, and Sade followed me as I climbed the stairs into their creative headquarters.It’s my first time meeting Oroc, but we both have ties to Long Beach. While I lived there for several years, Oroc made some of the most recognizable songs coming out of modern Long Beach. Oroc produced two albums under the name Nikobeats for Long Beach rapper Huey Briss, one of the first musicians I met during my time at California State University Long Beach, where he met Lamercier not long after.“We just really connected human to human,” Oroc said of their first time meeting and recording music together.As soon as Lamercier joined us, his calming energy was immediately apparent. Only a few minutes into the conversation, he pretzels himself into criss-cross applesauce on the couch, a gesture that gives him a wise, sage-like air.

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Lamercier has always been able to express his voice without talking. His songwriting expertise has been well-documented, with credits for Dua Saleh, Kyle Dion, Elijah Waters, and Berhana’s recent album. It began with contacting his college buddy, Channel Tres, when he moved out to LA, which resulted in Tres’ “fuego (feat. Tyler, The Creator).”Lamercier also contributed his introduction to the “business of songwriting” to collaborator Barney Bones and the late August 08. Although he signed a publishing deal in 2021, he got tired of “giving [his] story” to other vocalists and decided to “take a chance” on himself to sing his own songs.When Lamercier’s grandma and Oroc’s uncle passed, they channeled their grief into work. It’s a coping mechanism that always sounds unsustainable, but making art doubles as a cleansing release. The pair locked in for a week at the start of 2022 and created the majority of songs that would make Merci, Lamercier’s forthcoming debut project fully produced by Oroc.“This project is rooted in grief,” Oroc shared.Without listening to a single note of Merci, the duo has a chemistry rivaling most blood families. They know when to let the other speak their piece on relevant questions but roast each other for their wildly different dream riders.“[I need] Fresh ginger root and lemon [for tea], cough drops, green apples, Nerds Gummy Clusters, Haitian rum, nacho machine… and edibles,” Lamercier pondered.“I need a PlayStation 5, I need [NBA] 2K,” Orco said. “I need a Hennessy coke Slushie machine. Three cases of Yerba Mate, Filipino mangoes, and Haribo gummies,” Oroc stated.

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The duo’s most recent single, “Pray On It,” imparts keeping the peace and staying ahead when down bad. Despite rarely rapping outside of this song, this unique single is a perfect encapsulation of what Lamercier represents as an artist. His time hasn’t come without obstructions, and he’s not afraid to present his vulnerabilities.“I can't get out the deep-end/ I’m drowning out/ Been peeping out this shit/ Can't call it out/ All my niggas they trapped too.”

As the track moves along, it transitions to North Carolina rapper Reuben Vincent, who graces the song with a slightly more boastful yet highly pensive verse. While still weighed down by grief and troubles, both vocalists start the process of wringing out the excess.Oroc’s production also shines. The violins flutter in conjunction with the chorus, hugging and uplifting it. He creates an atmosphere that feels like Lamercier is lying on a bed of grass looking up at the clouds, grasping for guidance from a higher power. The gradually positive environment turns the verses’ layered ad-libs into welcome company, instead of the “slow psychotic” overthinking that Lamercier vents throughout the song.“Pray On It” has already had its fair share of recognition. It’s Lamercier’s three-peat appearance in Spotify’s “Fresh Finds R&B” playlist, and it has recently been played on Apple Music’s Ebro Show.Lamercier and Oroc teased the release of Merci with a performance in New York’s Ludlow House this week, where they offered a sneak peek into Lamercier’s debut project.Times have been tough for the two, but speaking on your grievances makes the baggage a little lighter. Doing the work and carrying that weight doesn’t get much easier for the path ahead, but it’s worth it to prepare yourself for the journey’s next phase. On to the next one.

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Behind Wynne’s Captivating Stage Presence and Lyricism

Written and Photographed by Tenzin Dekyi

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Wynne has been taking the rap game by storm since the release of “Jaw Morant” and “Hot Friend” earlier this year. Currently she’s on her first headlining tour that includes 14 dates and locations. We got the opportunity to catch up with her before her St. Paul show in Minnesota.Tenzin Dekyi: How has tour been so far?Wynne: Tour has been lit, it’s been super lit. I've been surprised because this is my first solo tour so I didn't know what to expect, what my fan base was like, who would pull up, but it's been a really mixed bag; a lot of hip-hop heads and a lot of baddies pulling up with their nails like mine. It's been both and just been fun to play to both crowds and been turnt the fuck up. I love performing. I love being able to rap on stage because so much of my presence is on the internet, people don't always expect me to have such a presence on stage so it’s been fun to introduce the fans to another side of me. But i am tired as fuck.Tenzin Dekyi: What has been the craziest or most surprising moment on tour so far?Wynne: I think New York was the most surprising show. New York has such a reputation of being kinda stoic, but to me New York was maybe the most lit show. It was super turnt and it flooded that day so I was super nervous if it would get canceled and if not, if anyone would show, but we packed bodies in there.

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Tenzin Dekyi: Take me to the making of “Some Like It Hot,” what was the inspiration and intention behind it?Wynne: With Some like it hot, i wanted to show people that i can do both like i can do radio record and also rap my ass off and not compromise either one. That is why I wanted to put “What Would Comb Do?” next to “Jaw Morant” because I wanted to let people know “don’t get it twisted.” That really is my bread and butter. Being able to just write for three minutes over a soul trap is what I really love. But I've found this medium because I want to make those big records that you hear in arenas, so for me this EP was experimenting with trying to find where my voice fits because I used to be a cypher MC. So Ty and i did a lot of artist development during the pandemic, learning how to sit on a beat and focus on feeling and statements, and pauses. It’s been a lot about development.

Tenzin Dekyi: What is your favorite song to perform?Wynne: That’s tough. I would say “Jaw Morant” because I don't think I've rapped “I’m a motherf*cking dog” this whole tour. I also like performing “In the Mood'' because the hook really works well. The last one would be “Mary’s Lambo” which is produced by Cristo who produces most of J.I.D’s stuff. Its like rhythm gymnastics so that's fun to do on stage because it's hard so when I’m out there, I have to be really sharp. I would say those are my big three.Tenzin Dekyi: As rising artists, community is really important - who are some of your favorite up and coming artists?Wynne: Chris Patrick, I think Chris is so talented and Dende, the whole Crossroads camp is so good and I love what they're trying to build and doing it all independently by building community. On the girl rapper tip i think a lot about Baby Tate, i feel like she is so talented so i'm excited for her. From Portland 3wayheff, who i had on the first half of my tour, there's a rapper named Milc who’s like my favorite rapper in the city. There’s also this kid named Piscee he's like JT meets Pharrell and he produces everything himself, he’s super talented.

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Tenzin Dekyi: Who has been some of the coolest co-signs so far?Wynne: Missy Elliot was a big one for me, because I love Missy. I model so much of my attitude and the way I approach rhythm from Missy so that was definitely a huge one. Meek Mill was a dope one, Benny the Butcher, The Game, Ghostface Killah was a also dope one, The Alchemist was crazy. There’s some big ones.Tenzin Dekyi: What do you want people to take away from you and your music?Wynne: Lyricism. I really want people to remember me for my lyrics and the way that I pen my verses. That was always my favorite element of it. It was being able to hear lyrics that somebody wrote and that made me feel like that was mind blowing, how did you think of that or i didn't know i felt that way until you said that. For me it's always about the lyrics. I want to be remembered for my lyricism.

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Megzz Breaks Through the Noise

Written by Patu Ong

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Exploring the comments under any popular social media post is enough reason to believe in humanity’s lack of empathy. Our unaligned necks and minds fill with FOMO in an echo chamber with no reflection, but there are always moments of refreshing clarity and honesty. In an era of digital disregard, Northamptonshire (UK) soul/R&B singer Megzz wears emotion for all to see in her newest EP, Through the Motions. The four-track project serves as a direct passageway into her psyche, emboldened with clean instrumentation and emotive vocals that’ll hit you in the chest.

Megzz is an independent artist, chronically writing her thoughts and feelings. Sometimes it doesn’t leave the Notes app. When it finds its exit, the venting or poetry materializes into a sincere symphony detailing dark topics and tender confessions. Everything is personal and tragic and beautiful. Play any of her songs and you’ll get a clear picture of Megzz’s personality, but there isn’t a better introduction than Through the Motions.Megzz plans to release a self-directed documentary to showcase her life as a “British, mixed-race, female R&B artist with no label and no manager” before the end of the year. As for now, Norbu was lucky enough to talk to her about the EP and its motifs.

Patu: How does it feel to have Through the Motions out?Megzz: It’s a relief but it’s intimidating at the same time. I put in so much hard work, so I’ve been waiting for it and was excited to put it out. But any artist will think, “Are people listening to it? Are they enjoying it?”Patu: Do you get caught up checking what people say on your phone?Megzz: I push [my phone] to the side. I’m not a numbers person, so I try not to focus on followers or streams. I’d much rather have a small community that actually listens to the songs or lyrics rather than having millions of streams from people who have it playing in the background.Patu: Through The Motions touches on consent, control, and other topics. What else binds these songs together?Megzz: The main topics are boundaries and mental health. Just being aware of your well-being: knowing it’s okay to feel emotions, knowing there’s strength in those feelings, and knowing it doesn’t make you weak. “Boys Will Be Boys” is very much about consent and others disrespecting your boundaries, whereas “Love Me from a Distance” is about setting your own boundaries and being content with it. “Too Much” is what happens when the boundaries blur–letting someone in and letting your guard down. “Motions” is the boundaries you have with yourself.Patu: The title of the EP is Through the Motions, but the topic of boundaries is rightfully strict. These are lines you shouldn’t cross. How do these themes coexist?Megzz: It relates to the duality of life and other emotions. It’s rare for one day to be entirely happy and the next to be entirely sad, with no overlap. You can simultaneously go through the worst time of your life and the best time of your life. There’s so much power in accepting that and knowing those feelings can coexist. You can set boundaries, but if you look at the bigger picture, you can still go through the motions and accept whatever is going on.Patu: What is your songwriting process? How many times are you crying per day?Megzz: [Laughs] So many times. None of my songs actually start as songs. I write, whether it’s journaling, poetry, or spoken word. It’s my form of therapy and why I try to keep it so honest. I think it’s easy to be honest with other people when you’re writing songs, but it’s not easy to be honest with yourself.Patu: You recently performed Through the Motions in its entirety for the first time at The Old Blue Last in London. How’d it feel?Megzz: It was such an intimate and special night. It felt like there was a strong sense of community, and people came with open ears and open hearts. There was a lot of vulnerability in the air, not only playing some songs live for the first time but also the personal nature of the lyrics. I received an equal amount of vulnerability, support, and love. It felt very freeing and a little bit surreal.

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Patu: Have you performed in the United States before?Megzz: I would love to! I’m still trying to build my US fanbase. I’ve actually never been to the US, so I would love the opportunity just to visit.Patu: Maybe you’ll get the opportunity once American listeners know a little bit more about you. Can you tell us when you decided to pursue music?Megzz: I played the guitar since I was five. As a kid, I’d always make little books before it occurred to me I could combine the two. I put videos on YouTube but I didn’t really have the confidence until later. When I was about 18, I was hospitalized for my mental health. I was writing every day, which helped me get through depression. Before nearly getting discharged, I asked my mum to bring me my guitar. I started playing it in the communal area and everyone sat together. Suddenly, the people who went through such a difficult time started smiling, laughing or simply processing something.Something really clicked for me at that moment. That told me that music is what I’m meant to do. This is my calling.Patu: I apologize for bringing up such a sensitive topic. Though, it sounds like something good came out of it.Megzz: Yeah, it was the hardest–but also the best thing for me at the time. I was going through so many different issues that I had no time to process. When it all came out, writing got me through it. And apart from “Boys Will Be Boys,” I wrote all of Through the Motions during that hospital stay. That’s why they had to stay together as a body of work.Listen to Megzz’s Debut EP “Through the Motions” Below:

ClayDough and Ajai’s “PROLLYSHOULDN’TSTAY” Album Displays Art In Its Purest Form

Written by Tenzin Dekyi Shot by gabesuniverse

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Oakland’s ClayDough and Ajai Kasim came together to release their most recent project “PROLLYSHOULDN’TSTAY” late July of 2023. The album begins with the track “WE CAN BE KEEP STEPPIN” that feels like an inviting entrance to the sonic expedition the two plan to take the listeners on. Ajai’s melodic hooks floating over ClayDough’s harmonious loops along with the Bay Area bounce, the pair display a sound that has yet to hit the ears and emotions of many. The producer/artist duo describe this project as a direct reflection and expression of their life experiences through raw and colorful eyes.Tenzin Dekyi: How's the reception been in your opinion since the drop of “PROLLYSHOULDN’TSTAY?”Ajai Kasim: It's been good, I've received a lot of love in real time so that's been reassuring for sure. It's been a slow build but we've seen that the people are really being moved by the music and in some sense understand that we poured a lot into it. So I'm happy about it.ClayDough: Yeah, I feel like it was being received really well online and once I got to New York, meeting new strangers and watching them see the vision and start supporting and believing in it instantly was the craziest feeling.Tenzin Dekyi: What was the inspiration and influence behind this project?Ajai Kasim: Overall, just trying to reflect my story. Life is the biggest inspiration that pushes all the narratives in this album forward. A lot of what I write about has to do with my romantic life and what I'm going through at the time. It's hard to say what one thing led to the next but I think it was the process of growing together, evolving with and through the music that made for a really beautiful project in the end. Without all the chaos, we wouldn't have gotten where we are. It took a lot and it was a series of small steps and long periods of grinding to get here for sure.

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Tenzin Dekyi: Which songs are your favorites and which ones did you enjoy making the most?ClayDough: DUBBED. As well as OPEN CLOSURE.That was a fun one for me because I got to take one thing and completely remix it at the end. I feel like a lot of our work is just crazy ass ideas. PRADA ME, was really fun to make also.Ajai Kasim: The first one I absolutely adored was FIRESIDE HIGH. Something about the way that song feels it's just so special to me, and I honestly thought FIRESIDE HIGH would be the one to take us “there” and be the one that people gravitated towards the most. Mainly because I thought it felt the most universal.ClayDough: It feels familiar.Ajai Kasim: So that was the first one that had me. I think I was also moved by OPEN CLOSURE. As I was writing that song I was definitely going through all the emotions I was talking about and it fully reflects the situation I was in. It's so easy to fall for someone special and get caught up in the simple things. The lack of complexity in that process can be so moving. As well as the fact that sometimes you just want to keep the door open for somebody. The hope in that song is a product of understanding how available we can make ourselves to someone, but also realizing that it's not always the best idea. It's just a bittersweet reality that comes with the turmoils of love and relationships.Ajai Kasim: Lastly, DUBBED is special. We poured all of ourselves into that one song. It captures not only just the romantic aspect of what I was going through, but exactly where I was in my life. And I feel like it reflects me being a young black boy. It also reflects me being a lover boy. It reflects me trying to dip into different colors.ClayDough: It's a realization over the course of the entire song.

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Tenzin Dekyi: How much does being from Oakland influence your artistry?ClayDough: It influences a lot. Sometimes we call ourselves “New Hyphy.” Being from Oakland, a lot of the music from the outside perspective can sound the same, but I feel like what really inspires me is that bounce. I've been honored to bring that to Ajai's music.Ajai Kasim: As I started to grow up, I started to understand how the sound moved the people of Oakland and how it moved me, but not understanding how I could bridge the gap between that and everything that I'm rooted in terms of the sound my parents raised me on. Clay coming into the picture really helped bridge that gap because he also had a bunch of outside, worldly influence along with being rooted in that bounce. The balance works well enough to write songs in my own way. Clay is definitely the reason I love it so much now. And he said “New Hyphy,” but I would like to say more of a “NU Oakland” because Hyphy is the thing and was the thing. But I really want to be the evolution of that. Honoring what and where the bounce comes from but representing a new Oakland. A new sound as an expansion of the Hyphy feeling.Tenzin Dekyi: Clay, you do such a good job on the marketing/branding side. How important do you think branding is as a producer and how do you get your name out there as well?ClayDough: I feel like there's a lot of producers out there that are just posting audio files on their social media and that's a way of doing it and sending out beats through email to random artists that you don't know but it’s not the way I want to do it. Recently, I have been performing with my artists playing keys, DJing and being the hype person or whatever. As I evolve in this, I want to be one of those producers that can work with anybody and It's listed as an artist, like a Terrace Martin.Tenzin Dekyi: And then Ajai, dissecting your artistry. You seem like you're an all around artist. Currently doing both music and fashion; do you see any similarities between the two or how do you marry them into one? And kind of just your creative process as an artist and overall artist and kind of how you do.Ajai Kasim: Yeah, there's so much crossover. I feel like I don't have to work too hard for it, it's very second nature to me, in terms of bridging the two worlds. As soon as I start making the song I'm thinking about the video and I'm thinking about how the clothes relate to the video, I've always been that way. And in terms of the creative process behind that, it's very much intentional. I want to bridge the gaps, and continue to push the narrative forward. I'm a creator before we get to the specifics of writer or fashion designer whatever and I love to bring things into the world. I believe I'm a vessel and have been given the power to choose how art exists in the world. It feels like a higher power is passing through me when creating.

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Tenzin Dekyi: Now I want to get into the looks for the photoshoot we did. Ajai, can you describe your designs and what your thought process was behind those pieces specifically?Ajai Kasim: The biker look, I didn't design those but I did style them. A little backstory for those jackets that we were wearing; I pulled up to Oakland for my brother’s birthday and saw Clay in this jacket. It was my first time seeing it and he told me that his mom gave him this beautiful motorcycle jacket. Funny enough, the night I got home, my mom was about to give away a bunch of clothes. She had a pile of beautiful things that she was about to get rid of and from the pile I lifted up this beautiful motorcycle jacket. I said….”So this is mine now right?” And I tell Clay I have the opposite of that jacket he was wearing. It's literally in the same world, just the complete opposite so I'm like “we have to do something with these,” just based off that story. It's so crazy that both our mom's kind of passed down this little moment to us because it felt too perfect. We call ourselves “The Goons” and I feel like those jackets definitely scream Goon to me. It was the perfect way to kind of capture that “Goons” essence for us.ClayDough: Those are our GOONiforms.

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Ajai Kasim: The second look features a couple of my own garments from my brand Children of the Urf; Clay is wearing the pants. The star-crossed lovers, which were part of my last semester's collection, and I think it fits him perfectly. I wanted to do something that kind of paid homage to Oakland, They both had this loudness to them that was colorful and fun.Ajai Kasim: So I made sure he did that and then, I put him in this lace piece underneath his own T-shirt which is the Dizzy Tee. Everyone should buy one of those.ClayDough: We're both rocking Dizzy Tee.Ajai Kasim: For me, I wore one of my recent pieces from this for my summer collection, I called it the “Summer's Over” collection, which is all up cycle army scarves or just little fabrics that I had from leftovers from last semester. It really worked because there's a star lace that I'm wearing, under the jean jacket. And similarly with the motorcycle jackets, we get the same story across but in opposite ways. It speaks towards our true essence and what we really bring to the table in terms of our energy and personalities.ClayDough: And then you made that bunny hat as well.Ajai Kasim: Yeah, that's OverPink Bunny. You will see him probably everywhere. I made that in high school and he works as my creative mascot, similar to Kanye's bear from the college dropout era. It works as my character and a signifier that drives the room.

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Tenzin Dekyi: I love how everything is so intentional and authentic to you guys.Tenzin Dekyi: Who are some of your influences and they don't have to be musical in a sense, just like a creative influence?ClayDough: Mine are definitely gonna be musical just because that's the world I live in. I would say Pharrell, Stevie Wonder, Larry June, Seiji Oda, the list goes on.Ajai Kasim: I'll just start with overall influences. I'm gonna start with my mom, just because I wouldn't be anything without her, literally and creatively. She was the first vessel, in terms of the position we play in a kind of divine sense. My mother is a fine artist and singer. She was definitely the first creative vessel that I was exposed to, and a lot of how she channels through her artwork, I also do in a similar way. Aside from my mom, my community has inspired me to be the best version of myself and always keeps me grounded. And musically, I would say the Neptunes for one!! That’s how we got our name, the Goons; it was obviously inspired by them.Tenzin Dekyi: What can fans expect from you guys coming up? What do you guys have in store?Ajai Kasim: I think you're definitely getting a B side to the album that expands the idea that “we're still here,” like we probably shouldn't stay… but we're still here. We're figuring it out as we go. A lot of really great music is coming. We have a lot of stuff in the vault.ClayDough: We have a single coming up soon with a music video that's gonna be fucking awesome.

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